NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Oliver Mtukudzi wants you to dance at Joburg gig

01 Aug 2018 - 12:05

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At 65, Zimbabwean veteran musician and one of Africa's most celebrated music icons Oliver 'Tuku' Mtukudzi is still commanding stages and a huge following across the continent. The adage "wine tastes better with age" bests describes Mtukudzi, whose music has not lost its power while luring new fans and top gigs in Africa and around the world.

 

Oliver Mtukudzi wants to give his best.

Mtukudzi, who sings mostly in Shona, has proved that language is not a barrier when it comes to garnering a fan base outside Zimbabwe. Mtukudzi's journey has been long. His career became a massive success following the 1977 release of 'Dzandimomotera', a song by the Wagon Wheels, a band that also featured the exiled-until-recently veteran chimurenga musician Thomas Mapfumo.

Mtukudzi's career gained even more momentum with his 1978 solo album Ndipeiwo Zano (Give Me Advice), which was re-released in 2000, earning him a household name in Zimbabwe and abroad. As an artists who earned superstar status before independence in 1980, Mtukudzi used his music to celebrate Zimbabwean culture by fusing elements of various musical traditions and attaching a distinctive style to his music, which is now known as 'Tuku Music'.

Tuku is in Johannesburg, South Africa, this Saturday where he will perform songs from his recently released 67th album Hany’ga (Concern) at the Lyric Theatre. As it currently stands, Tuku has more albums than years under his belt.

We spoke briefly to the artist ahead of his performance.

MUSIC IN AFRICA: What are your expectations from the event?

OLIVER MTUKUDZI: Expect the best. You know, I'm trying to bring the best songs and I know the audience will like the songs. I will also bring a full band to the event. People should bring their best too; they should not just watch and stand but dance to the music.

You are 65 years old and still singing. What’s the secret to your energetic performances?

Ah! There is no secret at all, it’s just a passion of what I do. I try to give my best, it’s all I do. I rehearse three hours a week.

Thomas Mapfumo was in Zimbabwe recently. How did you feel about his return and sharing the stage with him?

It was more than 14 years before he returned and performed back home. Well, it was more like a celebration.

Are there artists who come to seek your advice?

Oh yes, lots of them. They do come to seek advice and I give them the best. It doesn’t mean I'm a genius but I always check, you know, my mistakes and they learn from that.

How is your new album doing on the market?

It’s doing excellent and people are singing along to some of the songs. I will perform some of the songs from the new album at the event.

Is this your last album?

Well, I can’t run away from myself, I will keep on releasing more music. As long as there are people, there is always something to sing and talk about.

Since you were elected as a board member of the National Council of Zimbabwe, what has your input been to make sure that the arts sector in the country is thriving?

A board is made of a number of people. You cannot consult on your own but you share your own experiences. I personally have been in the industry for more than 40 years, so I talk about how the industry is supposed to be. I also talk about where we can get help from, such as the government. If things are beyond our control, we try to get help from others. So it’s about trying to pave a way, but you can’t create a way without the help from the government, which creates the rules.

How does it feel performing on foreign soil?

I don’t feel like a foreigner if I am performing in South Africa, or any other African country, because I am an African. As long as I am anywhere in Africa, I am home [laughs].

Tickets to the event are on sale via Computicket.

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