NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Playlist: African artists performing at WOMAD 2024

09 Jul 2024 - 10:13

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The World of Music, Arts and Dance (WOMAD) festival 2024 will take place in Charlton Park, Wiltshire, England, from 25 to 28 July.

Gnawa Blues All Stars founder Simo Lagnawi. The British-Moroccan band will be performing at WOMAD 2024. Photo: Facebook

The festival, which attracted more than 40 000 people last year, features global music acts from all genres including hip hop, blues, electro and punk, as well as industry talks and other summer entertainment offerings.

The event was founded by English musician Peter Gabriel in 1982 and has played a key role in showcasing some of the greatest African musical talents, providing them a stage to interact with an international audience. This year will be no different, with African artists making up the bulk of the line-up. They include Malian blues great Baaba Maal, Zambian rock band Witch, South African musical provocateur Moonchild Sanelly and Tanzanian mother-daughter duo Zawose Queens, among other incredible artists from the continent and the diaspora named below.

Amadou & Mariam (Mali)

Among Mali’s finest musical ambassadors over the past few decades, the husband-and-wife team of Amadou Bagayoko and Mariam Doumbia have won many admirers across the globe with their swinging, bluesy sound. Notable collaborators have included Manu Chao and Damon Albarn.

Sampa The Great (Zambia)

Sampa The Great is one of Southern Africa’s greatest hip hop heroes – if not of the entire continent. Born in Zambia and raised in Botswana, her music draws from all over the shop, with electronica, gospel, neo-soul, jazz and Zamrock finding room in her songs that often wrestle with the themes of home, identity and injustice.

Baaba Maal (Senegal)

Along with Youssou N'Dour, Baaba Maal has been sitting at the top of the Senegalese musical tree almost all of his career, in the process taking the music of the Pulaar-speaking people into the wider world. As well as working with such luminaries as Brian Eno, Tony Allen, Taj Mahal and Antibalas, Baaba Maal is also a well-respected humanitarian.

Ghana Special: Kwashibu Area Band, Pat Tomas, Charles Amoah and K.O.G (Ghana)

An all-star line-up, including some bonafide highlife legends, teams for a showcase of the rich sounds of this corner of West Africa.

Witch (Zambia)

One of Zambia’s most popular bands in the '70s, Witch has reconvened and reunited to dust off their potent psychedelic, bluesy rock known as Zamrock.

Asmâa Hamzaoui & Bnat Timbouktou (Morocco)

A rare female take on the gnawa music traditions of north Africa, as the warm-voiced Asmâa fronts the bluesy intensity of her all-woman band Bnat Tombouktou.

Defmaa Maadef (Senegal)

The sound of Senegal today, Mama and Defa are two of the most vital hip hop voices in Dakar right now, with a good squeeze of R&B drizzled over the top.

Emel (Tunisia/US)

New York-based singer-songwriter – and one-time Tricky collaborator – whose sharp, barbed political songs have often been banned on the radio in her native Tunisia.

Gnawa Blues All Stars (UK/Morocco)

The deep and irresistible grooves of North African gnawa stretch beyond their home turf and become acquainted with the sounds of West Africa, South America and Asia.

Justin Adams & Mohamed Errebbaa (UK/Morocco)

The venerable, well-travelled guitarist teams up with gnawa master musician Mohamed for a deep voyage into the heavy sounds of North Africa and beyond.

Moonchild Sanelly (South Africa)

Visually striking with her blue hair, Moonchild Sanelly is the creator of the genre she calls ‘future ghetto funk’, drawing on hip hop, kwaito, funk, soul, electronica and Afro-punk.

Nana Benz du Togo (Togo)

Fascinating and exceedingly groovy group from West Africa dealing in the sound of voodoo, albeit with a Korg synth adding an unexpected edge.

Ndox Electrique (Senegal)

One of the most unlikely musical collaborations finds the music of the super-secretive Senegalese n’döep ritual fusing with thick and heavy electric guitars.

Seckou Keita & The Homeland Band (Senegal/UK)

The superb kora player, known for his solo work and duo collaborations, now plays the part of bandleader, fronting this dynamite outfit of sterling Senegalese musicians.

The Zawose Queens (Tanzania)

Daughter and granddaughter of the great Tanzanian musician Hukwe Zawose, these two queens uphold the polyphonic and polyrhythmic musical traditions of the Gogo people.

Gonora Sounds (Zimbabwe)

Father-son sunshine sounds from the hotspot of Harare. Those shimmering, chiming Zimbabwean guitars get another outing this summer.

Tamsin Elliott & Tarek Elazhary (Egypt/UK)

Beguiling meeting of minds and cultures with Tarek’s oud and Tamsin’s accordion turning out to be true instrumental soulmates. Heady stuff!

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