NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Playlist: African musicians performing at SXSW 2023

27 Feb 2023 - 11:04

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Several African and diaspora acts have been confirmed to perform at this year’s South by Southwest (SXSW) Music Festival in Austin, Texas, from 10 to 19 March.

South African musician Majozi will perform at the SXSW Music Festival in Austin, Texas, on 15 March 2023.

Founded in 1987, SXSW is best known for its conferences and festivals that celebrate the convergence of tech, film, music, education and culture.

Every year, new, developing and established artists enhance their careers by reaching new audiences at the SXSW Music Festival. The showcases are curated by SXSW in collaboration with record labels, booking agencies, management and PR firms, export offices, publishers, media outlets, lifestyle brands, festivals, and more.

Below is a selection of African and diaspora musical artists who will showcase at one of the world’s biggest music trade shows this March.

N'famady Kouyaté (Guinea/UK) – 16 March

N’famady Kouyaté is a multi-instrumentalist from Conakry, Guinea, who relocated to Cardiff, Wales, in 2019. He has wowed audiences with his modern interpretations of traditional West African Mandingo songs. N’famady’s primary instrument is the balafon – the traditional wooden xylophone sacred to West African culture and his family heritage of the griot/djeli. In Guinea he founded ‘Les Héritiers du Mandingue’, a tradi-modern group that toured extensively in West Africa.

Beatenberg (South Africa) – 15 March

The Cape Town-based trio comprising Matthew Field (vocals and guitar), Robin Brink (drums) and Ross Dorkin (bass) deliver a unique sound that effortlessly owns mainstream South African pop. Their 2014 album The Hanging Gardens of Beatenberg became a showcase for the possibilities of pop music exploring sounds from around the world. There’s every reason to believe that Beatenberg will be South Africa’s first global pop success, and that they will do this on the back of a sound that is rooted in their home country’s indigenous styles, unfailingly moving forward to the future.

Blxckie (South Africa) – 16 March

Building a street cred, Blxckie is a breakout musician who is leading the pack of new-wave African artists. The 23-year-old Durban-born multi-talented artist has broken the internet with hit after hit, placing him at the forefront of South African hip hop and trap soul.

Balimaya Project (West Africa/UK) – 17 March

Led by composer/arranger and leading UK-based djembe player Yahael Camara Onono Balimaya Project intently synthesises and bridges London’s bustling jazz circuit with traditional repertoire and folklore of the Mandé people of West Africa, and in turn connects the music’s contemporary and ancestral forebearers.

Afrotronix (Chad/Canada) – 17 March

The Chadian electro-blues act was founded in 2014 by Montreal-based producer and guitarist Caleb Rimtobaye, and by 2016 it was headlining Afropunk Paris. It trades in tunes tinged with Chadian saï, Senegalese mbalax, Haitian kompa, West African Mandingo roots and electric Touareg blues, loaded with deep house, dubstep and techno grooves.

Yung D3mz (Ghana) – Date TBC

The Gen Z artist who grew up in Tema, Ghana, has always been drawn to a mix of African and Western pop influences, which he infuses into his music as a singer and rapper. Yung D3mz is also a talented songwriter and award-winning producer.

Majozi (South Africa) – 15 March

Majozi burst onto the scene in 2013 with his catchy debut EP Marvelous Light, before signing to Universal Music South Africa in 2014. When his first full-length album Fire debuted on the iTunes Top 3, the music industry really started to take notice. He currently serves as one of only three ambassadors for Fender in South Africa.

Jon Muq (Uganda/US) – Date TBC

Ugandan-born songwriter Jon Muq makes soulful, expressive pop music rooted in his vibrant guitar and piano playing, and his stirring voice. Now residing in Austin, Muq is recording his debut album for Dan Auerbach’s label, Easy Eye Sound.

SIPHO. (Zimbabwe/UK) – 16 March

Having been raised as a Seventh-day Adventist, devotion intermingles with scepticism around the religious industrial complex as SIPHO. reconciles his own relationship with God throughout his early tracks. Running alongside that is an exploration of another kind of duality – black male identity.

Dr Pushkin (Ghana/US) – 15 March

Through an independent grind fuelled by his love for hip hop, African beats and conscious lyricism, Dr Pushkin tackles social issues with his music – all while managing to entertain and uplift the listener. He also promotes the positive uses of AI technologies in African societies and co-invented Khaya, the world’s first Ghanaian language AI translation app.

Ojerime (Nigeria/UK) – 15 March

Rich in sultry melodies that echo the sparkling style of ‘90s R&B, Ojerime seamlessly juxtaposes airy production with heavy lyricism, creating a collection of songs that boast a modern attitude and nostalgic spirit.

Charmaine (Zimbabwe/Canada) – 17 March

The Zimbabwe-born Toronto rapper announced herself to the world with her debut EP Hood Avant Garde in April 2021 and has been on the rise ever since with more than 13 million streams and counting.

Yaw Appiah (Ghana/US) – Date TBC

Yaw Appiah is a record producer and DJ based in Los Angeles, California. Known for his diverse sounds of Afro-house and tech-house, his music fills spaces with infectious vibrations and energies. A native of Tema, Ghana, his mission is to expose untapped African sounds to the world.

Baba Kuboye (Nigeria/US) – Date TBC

Babatunmida Kuboye is an Afrobeats artist based in the US. He is the son of jazz legends Fran and Tunde Kuboye, and grandnephew of the late Afrobeat king, Fela Kuti. Music has never had more of a purpose for Baba – who establishes a connection with his audience by providing carefully crafted, thoughtful and conscious lyrics.

Bellah (Nigeria/UK) – 16 March

Bellah has officially been pinned as a “one to watch” by the likes of British Vogue, BBC Radio 1Xtra and Capital Xtra, among other platforms, with publications such as The Fader, Complex and GRM Daily also showing support. The artist has graced worldwide stages performing at 2021’s MOBO Awards and debuting the single ‘Evil Eye’ on the renowned COLORS platform, the video of which has hit a million-plus views.

Camilla George (Nigeria/UK) – 16 March

Camilla George is a visionary saxophonist, composer, bandleader and innovator. Her music is a hypnotising blend of Afrofuturism, hip hop and jazz, with a politically minded subtext that has a powerful connection to her Nigerian identity, lineage and heritage, reflecting African history, culture and slavery.

Manny Walters (South Africa) – 16 March

Manny Walters is a South African singer-songwriter with influences rooted deeply in rhythm and blues, alternative rock, hip hop and soul. The artist may describe his sound as “electric R&B/alternative soul”, but whatever designation you choose to apply, one thing is clear – Manny Walters is imbued with an intuitive and instinctive musicality that is rare in its authenticity and gravitas.

Kalu and the Electric Joint (Nigeria/US) – 18 March

Kalu and the Electric Joint blend the powers of psychedelic soul music with the driving beat of rock and roll and the ancient rhythms of Africa. Born in Nigeria, Kalu relocated to Austin, Texas, where he put together a stellar ensemble of players who graciously fuel and follow his deep well of eclectic influences.

Obongjayar (Nigeria/UK) – 17 March

A true triple threat, Nigerian-born, London-based musician Obongjayar pens stirring and spiritual lyrics with a distinctive voice that flits between rap, song and spoken word. Melding Afrobeats, soul, rock and hip hop influences, he has created a bold genre-defiant musicality.

Shaé Universe (Nigeria/UK) – 15 March

Since bursting onto the scene in 2017, Shaé Universe has made waves in the UK, West Africa and beyond. She makes music that engages, enchants and inspires – an artist who can both sing and rap, and who has been co-signed by the likes of Lalah Hathaway, Jorja Smith and Little Simz. She has remained entirely independent, navigating the industry on her own terms.

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