NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Playlist: Africa’s biggest songs of 2023

14 Dec 2023 - 13:42

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The African music industry saw further growth in popularity in 2023, with South Africa and Nigeria dominating the space, and Afrobeats and amapiano gaining further popularity beyond the two countries’ borders. But it wasn’t only South Africa and Nigeria that saw success throughout the year: Tanzanian bongo flava and singeli, North African hip hop, ivory rap from Côte d'Ivoire and a variety of other homegrown genres made their way onto local and international charts, proving that African music is still on an upward trajectory as a tastemaker worldwide. As we near the end of 2023, Music In Africa’s regional editors from across the continent have selected the songs that in their estimation made the biggest waves throughout the year.

Tyler ICU, Vinka, Rema, Viviane Chidid and Dystinct.

East Africa

In a year that witnessed a surge in music consumption globally, East Africa showcased its credentials. Stars like Diamond Platnumz continued to dominate the charts as bongo flava remained the leading genre in the region. Forced by the seemingly unstoppable amapiano takeover, Tanzanian artists fully embraced the genre and incorporated it into bongo flava, birthing a fusion style known unofficially as ‘Swapiano’ (Swahili piano). Meanwhile, Uganda’s flirtations with dancehall continued to pay dividends as breakout star Joshua Baraka and industry diva Vinka set the streamers on fire. Kenya’s knack for surprises came at the tail end of the year when an ‘unknown quantity’ in the name of Sofiya Nzau emerged as the face of what could potentially be a global dance hit – Zerb’s ‘Mwaki’. It was also the year of Rwanda’s Israel Mbonyi; rarely has a gospel number swept East Africa by storm like ‘Nina Siri’. The region’s favourite local genres remain Tanzania’s bongo flava, Kenya’s Gen Z-driven gengetone, Uganda’s dancehall-powered pop, and an assortment of alternative electro and hip hop sounds.

‘Mwaki’ by Zerb ft. Sofiya Nzau (Kenya)

‘Nina Siri’ by Israel Mbonyi (Rwanda)

‘Bailando’ by Vinka (Tanzania)

‘Yatapita’ by Diamond Platnumz (Tanzania)

‘Nana’ by Joshua Baraka (Uganda)

Southern Africa

South Africa is undoubtedly the leading music hub south of the Equator, and especially in the Southern Africa region. Amapiano, currently the country’s leading genre, is influencing the rest of Africa, even West Africa where artists are employing its signature beats and melodies in a growing number of releases. In terms of hits, Tyler ICU’s ‘Mnike’ is just one example of a song that had global impact in 2023, with fans coming out with various dance challenges on video streaming platforms like TikTok. ‘Stimela’ was also among the top performing songs on digital platforms, and won two top awards at the 2023 South African Music Awards. But South Africa also kept its strong grip on hip hop and house, even though these two genres have taken a back seat for the moment.

‘Mnike’ by Tyler ICU

‘Water’ by Tyla

‘Hamba Juba’ by Lady Amar, Cici, Murumba Pitch and JL SA

‘Awukhuzeki’ by DJ Stokie

‘Stimela’ by 2Point1 ft. Ntate Stunna & Nthabi Sings

‘Mina Nawe’ by Soa Mattrix

Anglophone West Africa

Anglophone West Africa, the cradle of Afrobeats, continues to lead Africa’s pop sound, which is now very much a global sound, too. Among the standout successes is Rema’s ‘Calm Down’, which not only boasts the accolade of being the most exported track from sub-Saharan Africa but also holds the distinction of being the first African-led single to surpass a billion streams on Spotify. It also set a YouTube record as the most-viewed Afrobeats video. Other songs like Asake’s ‘Lonely at the Top’ and King Promise’s ‘Terminator’ achieved global viral success, stressing the region’s international impact. It is also worth mentioning that while there’s a place for mainstream pop, there’s also a thriving underbelly driving the alternative (alté) scene, which now and then inspires the mainstream in profound ways.

‘Lonely at the Top’ by Asake

‘Calm Down’ by Rema

‘Terminator’ by King Promise ft. Young Jonn

‘Elon Musk’ by Shallipopi

‘Declan Rice' by Odumodublvck’

Francophone West Africa

French West African songs also scored big in terms of numbers and media coverage. The below tracks reflect the dominant styles of the region, including Afrobeats, jolofbeats, gospel and ivory rap.

‘C’est pas normal’ by Toofan (Togo)

‘Je te kala pas’ by Josey (Ivory Coast)

‘La vie est belle’ by Mia Guissé (Senegal)

‘Par Force’ by Viviane Chidid (Senegal)

‘Dieu pile pas foutou’ by KS Bloom (Ivory Coast)

North Africa

Away from the mainstream, Morocco is known for a variety of creative musical genres combining traditional music such as gnawa with modern sounds like pop and hip hop, making it a dynamic hotbed of North African music. At the same time, the once-on-the-fringes Tunisian and Egyptian hip hop scenes have moved to lead the charts, offering new perspectives for listeners. As a result, the North African music scene has rapidly expanded, where diverse artists are redefining Arabic music and traditional African inspirations to establish a variety of regional signature sounds.

‘Dellali’ by ElGrandeToto (Morocco)

‘Zarzour’ by Lartiste (Morocco)

‘Nari Nar’ by Mouh Milano (Algeria)

‘Tetabtab’ by Mohamed Ramadan ft. Stefanos Pitsiniagkas (Egypt)

‘Casanova’ by Soolking ft. Lola Indigo and RVFV (Algeria)

‘Dima mechi’ by Balti (Tunisia)

Central Africa

There was a shift in Central African music popularity thanks to two Cameroonian singers, Libianca and Krys M, who are blowing up at an incredible rate. In addition to exporting their art beyond Cameroon’s borders, these two stars have forged their own distinct sounds amid a sea of successful African artists. The list of popular tracks from Central Africa in 2023 also includes music from Afara Tsena, Fally Ipupa and Koffi Olomide.

‘People’ by Libianca (Cameroon)

‘SL’ by Fally Ipupa (DRC)

‘Qui croira verra’ by Krys M

‘Achii’ by Diamond Platnumz ft. Koffi Olomide (Tanzania/DRC)

‘Afro Mbokalisation’ by Afara tsena (Congo)

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