The Recording Industry of Kenya (RIKE) has concluded a three-day hybrid workshop aimed at equipping Kenyan record producers with essential industry knowledge, practical skills, and access to global networks. Held in Nairobi from 6 to 8 May 2025, the event brought together music professionals from Kenya, South Africa, and the United Kingdom.
RIKE, a non-profit organisation founded in 2022, represents both independent and label-based record producers in Kenya. It advocates for industry reforms, anti-piracy measures, ISRC code issuance, chart certification, and policy development to support sustainable growth in the country’s music sector.
The workshop featured an intensive programme covering key industry topics including content protection, digital monetisation, intellectual property rights, artificial intelligence in music, financial literacy, and business strategy. It also served as a platform for recruiting new RIKE members, particularly rights-holding record labels and independent artists.
“This was about knowledge, empowerment, and unity,” RIKE national coordinator, Angela Mwandanda, said. “With the support of the British Council and other partners, we created an environment where producers could learn to protect and monetise their work while collaborating beyond borders.”
IFPI Sub-Saharan director Angela Ndambuki provided an overview of Kenya’s recording industry, addressing its immense potential as well as structural challenges. Sharon Wata (KECOBO) and Maurice Okoth (KAMP) called for greater transparency in Collective Management Organisations, while Mike Strano, chair of the Partners Against Piracy Association of Kenya, warned of the growing threat of online piracy. Ntsietso Mokitimi-Makhofola, SAMPRA’s chief legal and revenue officer, shared insights from South Africa on compliance and collective management best practices.
RIKE chairman and Decimal Records executive producer Eric Musyoka added: “This was a turning point for the Kenyan music industry. We’re building capacity for local producers to compete globally and ensuring they are recognised as business leaders in the creative economy.”
A standout moment on the final day was a cultural exchange performance featuring Musyoka and Mikey Akin from the UK-based group Sons of Sonix. “It was incredible connecting with young Kenyan producers and experiencing the Ubuntu spirit,” Akin said.
The workshop also launched a mentorship initiative led by SEM/AMS creative business director iKECHUKWU (Black PHARAOH) Onuorah. “We aimed to blend creative talent with business skills to prepare young African professionals for the global stage,” he said.
Select participants from the workshop will now advance to the Omniverse Africa 2026 music camp in Lagos, where they will collaborate with peers from across the continent to produce a compilation album and embark on a regional tour.
Supported by the British Council under its #UKKenyaSeason2025 grant, the workshop also received backing from Kenya Commercial Bank (KCB), Strictly Entertainment Music (SEM), and African Music Summit (AMS).
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