NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

SA: ‘Ambitiouz gave Amanda Black an advance’

03 Jul 2018 - 10:40

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South African singer Amanda Black has filed a lawsuit against Ambitiouz Entertainment. This after the singer ended her relationship with the record label last month.

Amanda Black wants Ambitiouz Entertainment to pay up.

The Sunday Sun wrote that Ambitiouz Entertainment owed the Xhosa singer about R965 000 ($70 000) and a R200 000 cash prize for winning the Listeners Choice and Best R&B awards at the 2017 Metros.

The amount owed by the label was determined from a gig and event report that the record label sent the artist last year.

“The defendant in March provided the plaintiff with a bookings report reflecting bookings of previous months, which includes a split of the plaintiff’s performance fees to cater for permissible deductions, management commission and the amount due to the plaintiff," an affidavit filed at the South Gauteng High Court with the assistance of the singer's lawyer, Zola Majava, reads.

The affidavit also says that Ambitiouz Entertainment received 100% of Amanda Black's performance fees without paying the artist since December.

A source at the record label who did not want to be named told Music In Africa that Amanda Black had signed an exclusive deal with Ambitiouz.

"She received R50 000 of the money from the Metros," the source said. "This is because she signed a 360 deal. That money was used to pay distributors, studio time and PR, among other things. Her contract included an advance. Ambitiouz was paying itself back for the investment that it made.”

The source said the singer had disagreements with her managers at the label and began handling her own bookings.

“Amanda Black had been having issues with management since last year. Her management was inconsistent with her bookings. Sometimes they would let her get booked for R5 000 and other times she’d be booked for R50 000 and she wasn’t happy about that. Sometimes she would get booked to play in clubs and taverns that she simply refused to perform in.”

On 18 June, Amanda Black announced that a new management company would assist her to reach new audiences beyond South Africa. A few days later, her publicist, Bonnie Meslane, contradicted the announcement. "Amanda is still looking around, having meetings with potential managers and nothing has been confirmed as yet," she said.

Meslane was elusive when Music In Africa attempted to get a comment about the latest development.

Amanda Black's former label mate, Fifi Cooper, who had been at loggerheads with Ambitiouz Entertainment since November 2017, settled out of court last week after the label had barred her from performing the music she recorded with the company. The settlement sees the motswako rapper free to perform or release her music.

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