NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

SA: Cape Ballet Africa’s ‘Swan Lake’ brings global talent to Montecasino

22 Jul 2026 - 08:37

cc-img flag-img

Cape Ballet Africa (CBA) will stage its production of Swan Lake at the Teatro at Montecasino in Johannesburg, South Africa from 7 to 23 August, bringing together South African-based dancers and international guest artists for a limited three-week season.

International dancers joining the production include Aubin Le Marchand, a principal dancer with Béjart Ballet Lausanne, and Austrian principal Solomon Osazuva.

The production is choreographed and directed by London-based Georgian former English National Ballet lead principal ballerina Elena Glurjidze, who has performed the role of Odette/Odile and has a long association with Tchaikovsky's ballet.

International dancers joining the production include Aubin Le Marchand, a principal dancer with Béjart Ballet Lausanne, and Austrian principal Solomon Osazuva, who will share the role of Prince Siegfried with CBA dancers Gabriel Ravenscroft, Joshua Williams and Gabriel Fernandes Da Silva.

The role of Odette/Odile will be performed by CBA dancers Leanè Theunissen, Paige McElligott, Maryana Pobuta and Savannah Ireland. Theunissen, who was born and trained in Pretoria, will make her debut in the dual role at the Teatro.

“I love the duality of light and dark,” Theunissen said. “In dancing both Odette and Odile, the challenge is to bring forth a whole range of emotions within the span of two hours. Mistrust, fear, grief, pain, sensuality, guile and strength. These are passions that reside within all of us. The joy of being a performer is presenting the audience with a feeling that awakens their own reality and emotion.”

Da Silva, a Brazilian dancer who has performed in South Africa for nearly seven years and joined CBA in February 2026, will make his debut as Prince Siegfried at the Teatro, partnering Savannah Ireland.

“Siegfried isn't just a fairytale prince; he's a mirror of my own youth and resilience,” Da Silva said. “At 21, cornered by the pressure of the throne, Prince Siegfried represents the weight of responsibility – it represents an echo of the demands life laid on me from a young age. On stage, I find my refuge in dance, the same freedom I chase when shedding the weight of the everyday grind.”

Le Marchand trained at the Paris Opera Ballet School before beginning his professional career with the Croatian National Theatre in Split and later joining Tulsa Ballet in the United States. He joined Béjart Ballet Lausanne in 2025, following performances in works by choreographers including Derek Deane, Angelin Preljocaj, Thierry Malandain and Kenneth Tindall.

Osazuva, who previously worked with CBA on its Giselle production in November 2025, trained at the Ballet Academy of the Vienna State Opera. He later joined the National Theatre Brno and has performed as a freelance and guest artist with institutions across Europe.

The production features set by Michael Mitchell and costumes by Marcel Meyer, who previously collaborated on CBA's double Naledi Award-nominated production of The Nutcracker.

CBA chief executive and artistic director Debbie Turner said the collaboration between local and international dancers provided an opportunity for artistic exchange.

“Collaborating with exceptional artists from around the world is an incredible experience for everyone in the company. We inspire one another, learn from each other's unique talents, and continually challenge each other to reach new heights,” Turner said.

Global Star Events chief executive Simon Bryce said the season had been extended in response to interest in the Johannesburg production.

“The season extension came early, reflecting the tremendous excitement surrounding Swan Lake in Johannesburg. Audiences can expect a spectacular celebration of the artistry, passion and enduring magic of classical ballet,” Bryce said.

The production will run at Montecasino's Teatro from 7 to 23 August, with performances scheduled at various times throughout the season. Tickets range from R220 to R720, with discounts of up to 40% available on selected performances and ticket categories for a limited period.

The production is recommended for audiences aged five and above. Further details about a planned Cape Town season are expected to be announced separately.

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media