NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

SA: CT Jazz Festival announces more artists

31 Jan 2018 - 11:29

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The organisers of the Cape Town International Jazz Festival (CTIJF) have added eight acts to the 2018 edition of the event scheduled to place in Cape Town from 23 to 24 March. The event, which is in its 19th edition, is among the top jazz festivals in Africa and bills jazz musicians from all over the world.

Simphiwe Dana is among the latest confirmed acts.

The line-up features artists whose music embraces various genres such as swing-bop, neo-soul, hip hop, Afro-soul and Zulu blues. The latest confirmed acts are Incognito (UK), Simphiwe Dana (South Africa), Miguel Atwood-Ferguson (US), Sibusiso ‘Mash’ Mashiloane (SA), Manny Walters (SA), The Surge (SA/Russia/Slovakia/Morocco/US/ Kyrgyzstan), N8N (Belgium) and The Liberation Project (SA).

Some of the acts that were announced previously are Alistair Izobell (SA), Amanda Black (SA), Billy Monama: Grazroots Project (SA), Blinky Bill & Sibot's Afrofunk Spaceship (Kenya/SA), Claire Philips (South Africa), Corinne Bailey Rae (UK), Mulatu Astatke (Ethiopia) and Jordan Rakei (New Zealand).

“Great thought has been given to the nuances of the greater jazz form in this year’s line-up,” CTIJF director Billy Domingo said. “This is reflected in the variety of the acts that will entertain this year’s festinos.

“I am delighted that our steadfast festivalgoers, as well as those attending for the first time, have such a wealth of talent from which to create their personal musical experiences and we look forward to sharing these moments with our audience.”

With the addition of UK band Incognito, fans should expect a thrilling performance from the British outfit, which is known for exhibiting unforgettable live shows. Known for her eye-catching imagery, Simphiwe Dana will no doubt project a brilliant performance through her unique signature sound that confirms her status as a phenomenal artist. Her insightful mixture of Afro-soul and traditional music is wholly distinctive.

Credited for contributing more than 500 recordings and scores with notable musicians such as Ray Charles, Flying Lotus, Dr Dre, Mary J Blige, Bilal, Seu Jorge and Thundercat, Miguel Atwood-Ferguson will bridge genres and generations of cultural elements into cohesive, magical presentations. The violinist has toured and recorded with ensembles ranging from electronic to avant-garde, jazz, classical, hip hop and pop.

Pianist Sibusiso ‘Mash’ Mashiloane will explore the repertoires of Bheki Mseleku, Andile Yenana and Moses Molelekwa. Along with his Zulu-styled blues and neo-soul, swing-bop and hip hop inflections, he is expected to reinforce the tones of Africa at the CTIJF.

With music rooted in the legacy of rhythm ’n blues by modern-day soul rock nuances, guitarist Manny Walters is expected to deliver a focused set of works that draw on the seminal sounds of Richie Havens, Nina Simone, Tracy Chapman and Curtis Mayfield.

A lot is expected from The Liberation Project that will feature musicians who’ve joined forces to celebrate their liberation struggles from different corners of the world. Specially commissioned by the CTIJF, the set is dedicated to Ray Phiri and comprises Sipho Hotstix Mabuse (vocals, saxophone, piano and flute), Tony Cedras (accordion and trumpet), Neill Solomon (vocals, piano and acoustic guitar), Dan Chiorboli (percussion), Tebogo Sedumedi (vocals and bass), Bienvenue N’Seka (vocals and guitar), Keeran Eshwarlall (Sufi vocals, harmonium, santoor and harmonica) and special guest Roger Lucey (vocals and acoustic guitar).

Tickets to the festival are available here.

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