NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

SA: DJ Lag considered for Grammy nomination

10 Oct 2019 - 10:33

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Uhuru, a six-track album by South African gqom artist DJ Lag, has been considered for a Grammy nomination.

DJ Lag.

DJ Lag's album is being reviewed for the Best World Music Album category, which honours artists in the world music genre. The nominees for next year's awards ceremony will be announced on 20 November.

“I am proud to be representing in this specific category,” DJ Lag told Music In Africa. “This is a category that has had some great nominees over the years. To be considered is already an honour and to be nominated is a great responsibility too."

DJ Lag, who is signed to Black Major agency, added: "It's in the hands of the voters [the Recording Academy] now and I can only hope that they believe in this music and what it means for South Africa to be represented through a genre so unique and not commercial in the most obvious way.”

Grammy Award consideration explained

To be considered for a 2020 Grammy nomination, the Recording Academy recognises recordings released between 1 October 2018 and 31 August 2019. The recordings have to be commercially available via a distribution channel or a digitally recognised streaming platform like Spotify and Apple Music.

Black Major media manager and strategist Shiba Melissa Mazaza said in order to be considered for a Grammy nomination, one has to be a member of the Recording Academy.

“The Grammy Awards are a peer-reviewed platform, keeping things legitimate in terms of leaving the voting up to music industry professionals who have the expertise to be able to create, analyse and vouch for quality music,” she said. “No one needs to vote at this stage, you can just submit the music as long as it meets the requirements. This committee are the ones who will decide who makes it up the chain, but there's no way to know who exactly is on it.

“But it helps to have insider support, or a fan of your music already on the committee, which is something Lag didn't know he had until one of the members reached out and asked him to submit. Once you've submitted your entry, you'll need to wait to find out if you're eligible for consideration which is the first ballot. If you qualify for that, that's where the fun begins.”

Mazaza said Black Major had started campaigning for DJ Lag but insisted that “there are strict guidelines about how to go about this without tainting the voting process. As you can see it's very stripped down, without too much embellishment, focusing on facts rather than hard selling.

“In the US specifically, you'll see billboards and magazine ads taken out with 'For Your Consideration' written across them. This is obviously very expensive should you choose to go that route, but necessary, because as I said, no one knows for sure who is on the voting committee, so getting as much exposure out into the world in general is important.”

Meanwhile, Nigerian singer Yemi Alade has also been considered for a Grammy nomination. “We are up for Grammy Award consideration. Reaching out to all voting members of the Recording Academy to consider my album Woman of Steel for Best World Music Album. This has been an incredible project and I would love to celebrate it with all of you,” Alade wrote on Instagram.

The 62nd edition of the Grammy Awards will be held at Staples Center in Los Angeles on 26 January.

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