NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

SA: Joy of Jazz 2019 begins with big band bang

27 Sep 2019 - 10:18

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The 2019 edition of Standard Bank Joy of Jazz (JOJ) opened with spectacular performances from the Standard Bank Young Artist All Star Jazz Band, Marcus Wyatt and his ZAR Jazz Orchestra, and Wynton Marsalis’ 15-piece Jazz at Lincoln Center Orchestra, at the Sandton Convention Centre’s Dinaledi Stage in Johannesburg, South Africa, on 26 September.

Nduduzo Makhathini. Photo: Music In Africa

Nduduzo Makhathini. Photo: Music In Africa

The mood set by these bands was proof that this year’s JOJ will be an event that will be remembered for a long time, judging by the reaction of the audience. Former presidents Thabo Mbeki and Kgalema Motlanthe as well as Minister of Arts and Culture Nathi Mthethwa and Johannesburg mayor Herman Mashaba were in attendance and had their eyes glued to the stage so they could absorb the energy of the big bands on display.

The Standard Bank Young Artist All Star Jazz Band was first on stage with four segments amid applause, whistles and ululation. Veteran South African singer Sibongile Khumalo received a standing ovation for playing a coordinating role in her group. Renowned jazz artist Nduduzo Makhathini exhibited his dexterity with the piano alongside Mark Fransman on trombone and Kesivan Naidoo on drums. The mood reached the next level when Cape Town-based Shannon Mowday, accompanied by Concord Nkabinde (bass guitar), Mark Fransman (piano) and Kesivan Naidoo (drums), mesmerised the crowd that hummed to such compositions as ‘Walk Tall’ and ‘Dancing the Heart’. The fusion of instruments produced a well-knitted set whose sound swiftly oozed through the ears of jazz lovers who thronged the Dinaledi Stage.

Gloria Bosman and her team concluded the Standard Bank Young Artist All Star Jazz Band segment. The Soweto-born singer had the support of pianist Afrika Mkhize, guitarist Victor Masondo, trumpeter Mandla Mlangeni and Naidoo. Armed with powerful vocals, Bosman and her backing musicians displayed their virtuoso playing abilities that left the crowd eager for more.

Enter the Battle of the Big Bands

Marcus Wyatt’s ZAR Jazz Orchestra and Wynton Marsalis’ Jazz at Lincoln Center Orchestra were the most anticipated acts of the night. The two ensembles took to the stage at the same time and had rotational performances to showcase their swing prowess. Their performance, which marked the end of Joy of Jazz’s opening night, is one for the books.

The ZAR Jazz Orchestra, which comprises 17 members, was the first to perform while Marsalis and his top-class musicians followed the proceedings with mind-boggling precision. Before taking the horn, Wyatt played the conductor role and led the band into a beautiful mixture of Mihi Matshingana's powerful vocals and a fusion instruments that captured the attention of every soul in the room, while ‘Rainbow Nation’ was among the compositions the ZAR Jazz Orchestra played.

Photographers had a tough time trying to get a clear shot of the nine-time Grammy winner Marsalis, who was seated in the last row. Those who didn’t know Marsalis came to know him when he introduced his band at the end of each movement as well as the leading role he quietly played while directing his members during the performance. Among the compositions performed by Marsalis were Jonas Gwangwa’s ‘Emaxhoseni’ and ‘Yes Sir, That’s My Baby’.

The second day of Joy of Jazz continues with performances from Manu Katche (France), Don Laka (South Africa), the Standard bank National Youth Jazz Band and many others.

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