NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

SA: UJ Arts and Culture to host jazz celebration in Joburg

31 Aug 2022 - 17:09

cc-img flag-img

The University of Johannesburg’s Arts & Culture department, in partnership with the Music In Africa Foundation (MIAF), the Wits School of Arts’ Cultural Policy and Management Department and the University of KwaZulu-Natal’s Centre for Creative Arts, will host the Jazz Celebration Programme at the Keorapetse William Kgositsile Theatre (formerly the UJ Arts Centre) on 2 and 3 September.

Abbey Cindi and Zoë Modiga will performer at the Jazz Celebration Programme.

The event is part of the Music In Africa Live (MIALive) project, which is supported by the German Federal Foreign Office, Siemens Stiftung and Goethe-Institute. It will feature panel discussions, workshops and performances from musician Zoë Modiga and jazz flautist and harmonica player Abbey Cindi.

“UJ Arts and Culture is delighted to bring this robust range of partners together with the shared goal of offering an exciting intergenerational cultural experience in celebration of Heritage Month,” UJ Arts and Culture head Pieter Jacobs said. “In addition to the arts playing a role in the preservation of our rich history and heritage, it has the potential to transcend generational gaps.”

What’s on the programme

The programme will kick off with a Jazz as Heritage panel discussion and an oral history performance on 2 September. The discussion, which will honour Cindi and keep the Malombo jazz heritage alive, is supported by the MIAF with support from Arts Research Africa at the Wits School of Arts. The event will be livestreamed on the UJ Arts and Culture’s Facebook page. Following this will be a discussion on jazz education by jazz pianist, composer and educator Neil Gonsalves. The two programme segments will be held from 11am to 1pm.

There will be a free physical session at the Tunkie Studio at Keorapetse William Kgositsile Theatre on 2 September from 2pm to 3.30pm. Titled My Early Jazz Education (And the One I Want for My Students), the workshop will feature Gonsalves who will detail his first year of study in the jazz studies programme founded by Prof Darius Brubeck at the University of Natal in 1989.

The organisers will host another free physical workshop called Understanding the Funding Landscape at Tunkie Studio on 3 September. Presented by the University of KwaZulu-Natal’s Centre for Creative Arts, in partnership with UJ Arts and Culture and the Wits School of Arts, the session will feature Centre for Creative Arts director Ismail Mahomed and the centre’s senior administrator and programmes co-curator, Siphindile Hlongwa, who will discuss the elements of fundraising and effective proposal writing.

Live jazz experience

Music lovers will be treated to live music courtesy of Pretoria-based jazz appreciators, organisers and activists, the Cosmopolitan Collective, who will provide an authentic jazz experience with a collection of old-school jazz DJs and diga dancers at the Keorapetse William Kgositsile Theatre.

Cindi and Modiga will perform afterwards at the same venue from 5.30pm, with tickets to the event available for purchase here.

A living legend, Cindi is a founding member of the Malombo Jazz Makers and veteran cultural activist from Mamelodi. His set will include a musical dialogue with the award-winning a cappella ensemble No Limits.

Fresh from the North Sea Jazz Festival, Modiga’s performance will mark the end of the on-campus proceedings before audience members will be invited to join an afterparty at Chiesa in Melville. Modiga’s career took centre stage when she won the 2015 SAMRO Overseas Scholarships Competition for jazz.

She became a recording artist in 2017 after plying her trade as a performer for more than a decade. In 2018, she released her 23-track debut album Yellow: The Novel, which earned her two South African Music Award nominations for Best African Artist Album and Best Jazz Album. What followed was a series of performances at Aardklop festival, Artscape Youth Jazz Festival, UCT Jazz Festival, Joy of Jazz, and Cape Town International Jazz Festival.

In 2020, she released Inganekwane, an album that is a melting pot of West African rhythms, southern African sensibilities and heartfelt Zulu storytelling.

Visit the MIALive website for more details about scheduled activities. Connect with us on Twitter, Instagram and Facebook.

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media