NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Zoë Modiga: New album is a love letter to all black people

10 Jul 2020 - 10:36

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Zoë Modiga draws inspiration from her upbringing. The South African musician was raised by her grandparents in Pietermaritzburg in KwaZulu-Natal; she does not shy away from speaking about her identity and roots. The cover art of her latest album shows her wearing a white fleece. There are also cattle in the background.

Zoë Modiga. Photo: Tatenda Chidora

Modiga's career took centre stage when she won the 2015 SAMRO Overseas Scholarships Competition for jazz. She became a recording artist in 2017, after plying her trade as a performing artists for more than a decade. In 2018, she released her 23-track debut album Yellow: The Novel, which earned her two SAMA nominations for Best African Artist Album and Best Jazz Album. What followed was a series of performances at Aardklop Festival, Artscape Youth Jazz Festival, UCT Jazz Festival, Joy of Jazz, and Cape Town International Jazz Festival.

She recently released Inganekwane, an album that is a melting pot of West African rhythms, Southern African sensibilities and heartfelt Zulu storytelling.

On July 10, she released the video for 'Umdali', a highly emotional, bass-driven track that sees a tearful Modiga deliver the song in a simple, unadulterated way for the viewer.

"Inganekwane is a love letter to black people all over the world,” Modiga tells Music In Africa. “It’s for us to celebrate and fall deeper into a love for ourselves. The title is inspired by my song ‘Inganekwane’, from the previous album. That record received such an endearing response that it inspired me to dig deeper into ideas around identity as a black, young African storyteller.”

She alludes that she wants the songs on the album to speak to Africans and the diaspora, and asserts her desire to see African people loving themselves despite the trauma they carry within.

“The album's title means ‘fairy tale' or 'folklore’ in Zulu and I hope to tell our stories with it. Being black from my perspective is what I sing of in this record. Spirituality, healing and remembering who we are are just some of the stories told.”

Inganekwane was written in early 2019 and recorded in March 2020. Modiga believes the album represents the stories that many Africans wish to tell.

“With this album I feel the urgency of our stories being told at the forefront of our minds. The ideologies from many before us such as Busi Mhlongo, Oumou Sangaré, Rokia Traoré, to name a few, were a safe net for this work. Seeing and hearing storytellers from all over the continent was inspiring and it became important to create a modern narrative. Banda Banda and myself teamed up to craft the soundscape of this album, as he gladly availed himself to produce it."

She is also happy with the success of the offering. “The album reached No 1 on the World Chart on Apple Music on the weekend of its release and music lovers everywhere are moved by the record. There is a lot of conversations around the record and around the things that the record speaks of, and it’s truly beautiful to have that engagement.”

Asked about her concerns with the jazz scene in South Africa, Modiga said: “My concerns are aligned with African storytelling and preserving it as it continues to evolve. We can create spaces for each other to present ourselves forward as art practitioners and have conversations with each other. I’d love to see our leaders enforce laws that make us consume more African or African diaspora content, like music, film and media, so that we can become more familiar with one another as a people. I’d like young Africans to be inspired by each other and to benefit from the beauty of who we are.”

Modiga believes music plays a significant role in the welfare of people. This is why she sought music as a profession.

“I fell in love with the impact music has on people’s lives and felt I had a message to share," she says. "I then started my journey as a recording artist in 2017 after being a professional performer for 11 years. I credit my creator and the gift of human life and experience for all that I am and all the people I came across. I credit all the incredible stories and all the heroes before us who paved the way selflessly.

The artist says the most challenging aspect of her career has been the need to create visibility for her messages. "I’ve been working at creating more content and conversations to make space for these messages,” she says. "There are so many beautiful artists I love whom I’d be honoured to collaborate with. Bongeziwe Mabandla, Nakhane, Desire Marea, Tony Gum, Justice Mukheli, Khadja Nin ... I love how beautiful they make the world by existing.”

Like most musicians, the COVID-19 pandemic has had an impact on Modiga's work, but she doesn’t want the negativity of what is happening to dampen her spirits.

“I prefer not to dwell on the dark hole. COVID-19 has plenty heartbreaking disadvantages but I’m grateful that in the midst of everything I confronted some personal realities and was able to share this body of work.”

Inganekwane is available for download and streaming here.

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