NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

SAMAs Day 2: All the winners

05 Aug 2020 - 09:47

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The second batch of winners of the 2020 South African Music Awards (SAMAs) were announced on 4 August.

Prince Kaybee won the Male Artist of the Year Award.

The subtheme for the night was #ForThaSoul and the star-studded line-up included performances from SAMA winner Judith Sephuma, who sung her hit ‘Maropeng’ alongside a contemporary dancer. She was joined on the night by Ami Faku who belted out an emotionally charged ‘Inde Lendlela’. She was supported by two instrumentalists performing from an empty outdoor venue.

Hosts Dineo Langa and Donovan Goliath were again joined by comedian Skhumba Hlophe and radio personality DJ Ankletap, who both punctuated the show with commentary. Guest celebrities included gospel star Rebecca Malope, radio personality Sentle Lehoko, radio host Carol Ofori and musician Langa Mavuso.

Prince Kaybee clinched the coveted Male Artist of the Year Award for his album Re Mmino. Bishop Benjamin Dube took the Best Contemporary Faith Music gong for Glory In His Presence. He is also set to receive the SAMA Lifetime Achievement Award this year.

Samthing Soweto walked away with the Best Afro-pop Album award for Isphithiphithi and Bongo Riot Di Dancehall Wakanda won in the Best Reggae Album cateogy for True Stories.

Lo-Ghost were triumphant in the Best Alternative Music Album category for Cult Pop, while rising star Lungisa Xhamela won the Best R&B/Soul Album Award for My Heart to Your Soul.

Ndlovu Youth Choir, which performed on the opening night, got the accolade for Best Adult Contemporary Album for Africa, while Pilani Bubu bagged the Best African Adult Contemporary Album Award for Folklore: Chapter 1.

“We would like to congratulate all the winners under this theme #ForThaSoul,” M-Net local entertainment channels director Nomsa Philiso said. “Fans from around the country are fortunate to have this talented cohort of musos gracing the airwaves and we would like to thank them for providing us with soul food music."

The third instalment of the 2020 SAMAs will run under the subtheme #ForThaStreets and will be broadcast on Mzansi Magic (DStv channel 161) and My Muze on 4 August from 9.30pm CAT.

Male Artist of the Year

  • Prince Kaybee – Re Mmino
  • Benjamin Dube – Glory in His Presence
  • Samthing Soweto – Isiphithiphithi
  • Sibusiso Mash Mashiloane – Amanzi Nemifula: Umkhuleko
  • Bongo Riot Di Dancehall Wakanda – True Stories

Best Afropop Album

  • Isiphithiphithi – Samthing Soweto
  • From Bongo With Love – Bongo Maffin
  • Imali – Ami Faku
  • Selimathunzi – Mthunzi
  • Umuthi – Blaq Diamond

Best Reggae Album

  • True Stories – Bongo Riot Di Dancehall Wakanda
  • From the Low Land – Skeleton Blazer
  • Impilo Kantanga – Jeremiah Fyah Ises
  • The Revealer – Botanist
  • Vision 2020 – Fruitystar

Best African Adult Contemporary Album

  • Folklore: Chapter 1 – Pilani Bubu
  • Toro ka Mmino – T.S
  • S.G 2.0 – Tlale Makhene and Ziyawa Ka Zitha
  • Power of Dreams – Judith Sephuma
  • I Write What I Dream – Ntsika

Best Adult Contemporary Album

  • Africa – Ndlovu Youth Choir
  • Swansong – Lance James
  • Something Old, Something New, Something Borrowed, Something Blue – The Parlotones
  • Power – Amanda Black
  • In a Different Light – Wouter Kellerman

Best R&B/Soul Album

  • My Heart to Your Soul – Lungisa Xhamela
  • Elements – Elaine
  • God Decides – Tellaman
  • Pink Panther – Tshego
  • Promised Land – Yanga Sobetwa

Best Alternative Music Album

  • Cult Pop – Lo-Ghost
  • Zeno – Muzi
  • The Calling – James Deacon
  • Ndim Nani – Zu.
  • June – Manu Grace

Best Contemporary Faith Music Album

  • Glory in His Presence – Benjamin Dube
  • A David Kind of Psalm (Live) – Sbu Noah
  • Friends in Praise, Vol.2 – Neyi Zimu and Omega Khunou
  • Project 17 Live at Carnival City – Worship House
  • Seasons, Volume II – We Will Worship

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