NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Reviews

Sauti Sol – ‘Live and Die in Afrika’

25 Nov 2015 - 08:12

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Artist: Sauti Sol
Album: Live and Die in Afrika
Label & Year: Sauti Sol, 2015

Live and Die in Afrika album cover. Photo: www.mpasho.co.ke

“Life is a party so put on your dancing shoes and get ready…” belts out Kenya’s leading Afro-pop group Sauti Sol in ‘Sambo Party’, one of the tracks on their new album Live and Die in Afrika. True to this call, the album puts together an entertaining showcase for 61 minutes. The much-awaited album brings out the best of the band that has had a great run in 2015.

For fans, the fun is endless. With a variety of genres ranging from Lingala to salsa beats, Afro-zouk to dancehall beats, Live and Die Afrika will get listeners on their feet. The album, their third studio production, was launched at an exclusive listening party on 20 November 2015 in Nairobi. The 15-track album is the group's first self-produced effort, with expert co-production from renowned Kenyan producers like Kagwe Mungai, Cedric Kadenyi and Ulopa Ngoma, among others. It includes their hit singles 'Sura Yako', 'Isabella', 'Nishike', 'Shake Yo Bam Bam' and 'Still the One'.

The album is a celebration of Africa, flaunting its richness in cultural diversity, talent and resources. “Our continent has come of age. For a long time, our story has been told for us; it’s our turn now to tell it. For a long time, our problems have been solved for us; it’s our turn to solve them,” the quartet says of the album.

While many will enjoy that they can listen to a variety of genres, all well-delivered by the band, for others the combination of various sounds risks becoming confusing or even frustrating. For instance, the title track is a mash-up of sounds from all over Africa, with a heavy central and southern African influence. For listeners it might take a while before one can understand their direction. As a single the track feels a little too 'busy'.

The band has also done a bit of sampling here and there - and this may also put off more people. ‘Its Okay', a song about lovers going through challenging times, kicks off with a Lingala beat that people familiar with the Franco and TPOK Jazz single ‘12 600 Letters’ will easily identify with. The song proceeds with a salsa rhythm. While the band's decision to combine the sounds that characterized their childhood is great, the listener might be left nostalgic for the music of the past, rather than current trends.

It's also laudable how the band uses their music to pass on messages - for example advising young people to be what they want to be - without being too preachy. The song 'Sambo Party' has a fun and danceable rhythm, with lyrics told from the point of view of someone from a poor family. “Mama was a dancer, papa was a gambler. They said to me, you can be all you wanna be," the song proclaims.

As has become tradition on Sauti Sol's other albums, the new release also has a single for spiritual nourishment. ‘Kuliko Jana’ is a beautiful song carried by heartfelt vocals and featuring well-known Kenyan artist Aaron Rimbui. In this song the band acknowledges God as their saviour who will enable them to be better with each passing day.

The journey from the launch of Mwanzo in 2008 to Live and Die in Afrika has seen Sauti Sol evolve into a far more mature team, who have proven to now be able to attract a global audience wherever they perform.

The album has been released digitally via Africori and is on sale now at iTunes. Physical copies of the album will be available for purchase at a later date from Nakumatt stores in Kenya. The group will make the physical copy in three different forms: a CD that will be sold to the general public, a limited edition leather casing copy that will be made available once fans register on Sauti Sol’s website, and an exclusive wooden casing copy with a personalized engravings to be given to a chosen few.

[audio:https://soundcloud.com/africori/sura-yako autoplay:0]

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