NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Sauti Sol’s Chimano explores inner self on Heavy Is the Crown EP

20 Apr 2022 - 13:09

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As one-fourth of phenomenal Kenyan Afropop group Sauti Sol, he is best known for his adventurous dress sense and for being the flamboyant counterpoint to the band’s celebrated hitmaking skills.

Chimano.

But with the release of his debut EP Heavy Is the Crown, listeners will get a sense of Chimano as an individual artist addressing the weighty and mundane matters of human existence.

The seven-track EP, released alongside ‘Hallelujah’, the project’s lead single and music video written by fellow Sauti Sol member Bien-Aimé Baraza, sees the singer wrestling with matters of self-identity, self-love and self-acceptance as he tries to chart a new chapter for himself.

“I needed to have courage to be myself fully because of my new-found conviction,” Chimano said. “I needed to be that for others and to inspire them to see that they can also be themselves. The crown in this case is on you and me. If you go through life in kindness, standing up for your dreams and aspirations, respecting your fellow human beings and respecting the right of others to live unrestricted as long as it’s not an infringement on your human rights, then you have a crown on your head.”

Influenced by ‘80s and early ‘90s sounds, the risqué collection challenges toxic masculinity, prejudices and hypocrisy. The offering features the previously released single ‘Friday Feeling’, which is immersed in funk, soul and disco, with its crowning glory being epic visuals.

“It feels good to be authentic, at peace and centred. It’s a good place for me to be in and to stick to my values. This EP is who I am. I am coming out of my shell. It takes time for who you are to shine bright from your soul, from within, to the outside. A lot of people will relate to this,” he said.

“It‘s a wonderful song that generally speaks to everybody,” he said about ‘Friday Feeling’. “It also speaks to me. It’s a message to myself where I am putting myself first and walking this journey of life with my true self and like-minded individuals and anybody who wants to join us on this amazing journey. And yes, the real Chimano has arrived.”

In the ‘Hallelujah’ video, the style icon bedazzles in a crystal-laden blazer, effortlessly swaying to the lyrics of this melodious track. Chimano says he started writing songs for the EP about three years ago, but didn’t know where they would fit until 2021 when Sauti Sol’s members opted to pursue solo careers through the Alone Together project, which would allow them to work on individual projects while still being part of a cohesive, dynamic unit.

“The working experience on this project was amazing. It was a roller coaster of feelings. I felt challenged, uplifted and I understood who I am more with this project and it’s one of the things that gives me confidence. The experience has been very eye-opening about who I am. I made a new best friend within me that was waiting to come out to explore his creativity, image and brand,” he said.

Even though Chimano reveals his vulnerability, he implores others to look within themselves and listen to their inner voices. “It’s hard to ignore the burden society places on you, but by believing and focusing on yourself while being kind to others, you have crowned yourself and don‘t need anyone to validate that. I have fully started to express myself and deep down for me this is an expression of happiness and freedom.”

The Together Alone project has seen the four Sauti Sol members each produce masterfully crafted musical and visual works, namely Heavy is the Crown by Willis Austin Chimano, Father Studies by Polycarp 'Fancy Fingers' Otieno, Bald Men Love Better by Bien-Aimé Baraza and Savage Level by Savara Mudigi. The collections were released by Exodus Entertainment/Sol Gen and distributed by Ingrooves. Sauti Sol is set to release its next album in May.

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