NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

The Soil brings SA a capella flava to East Africa

02 Aug 2018 - 10:03

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South African a capella group The Soil will perform in Uganda and Kenya on 3 and 4 August respectively.

Vocal trio The Soil will be in Uganda tomorrow and Kenya on Saturday.

The trio will take part in Uganda's Bayimba Festival on Lunkulu Island before heading to J’s Fresh Bar & Kitchen in Nairobi. Bayimba opens today and will run until Sunday.

The Soil's manager, Velile Sithole, told Music In Africa that the group was delighted to connect with new audiences.

“We can’t wait to see how the rhythm in our music and the chords in our melodies will be interpreted by the people in Uganda and Kenya,” she said. “We’ve always loved the rich music that comes from East Africa. It’s our first time performing in Kenya and we are looking forward to experiencing Kenya’s colourful and vibrant culture and people while sharing our music with everyone.”

Sithole said the East African dates would open new doors for the group.

“We are fortunate and grateful to have been able to take our music to many countries around the world including our African continent. But we haven’t travelled and shared our music with as many African countries as we would like to, and we are definitely on a quest to turn that around,” she said, adding that The Soil is always open to new collaborations with artist from across the continent.

“African music shines even brighter when African artists mix their cultures through collaborations. We’ve seen that with legends that came before us and we cannot wait to carry that collaborative spirit forward. The Soil has collaborated with many artists in South Africa alone, and it’s about time we expand to the rest of the continent."

Asked to elaborate on the a capella scene in Africa, Sithole said: “We would describe it as a timeless gem that thrives even more when younger people continue to take a liking to it. It started with the globally recognised group, Lady Smith Black Mambazo, and it's growing. Look at us now and other groups like Complete and Beyond Vocal who have come after that.”

The Nairobi concert is organised by Roots International, whose boss Abdi Rashid Jibril said a capella music was part of Kenya's musical DNA.

“Kenya needs to provide opportunities for a capella groups around the region because we already have space for a capella music, “he said. “We have choirs in the houses of worship. We also have national choirs with the most famous being the Kenyan Boys Choir.”

Meanwhile, The Soil will start its South African tour on 6 October alongside Afro-fusion band Freshlyground.

For more information about The Soil's Nairobi gig, click here.

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