NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

South Africa’s breakers battle for a place on the world stage

22 Jul 2026 - 09:12

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The road to the Red Bull BC One World Final has begun, with South Africa’s leading B-Boys and B-Girls battling across three cities for a chance to represent the country in Toronto later this year.

B-Boy Barshie emerged as the winner, securing his place at the National Final in September.

The national campaign opened in Johannesburg on Sunday, 19 July, where the Urban Playground at Fourways Mall hosted the first qualifier. B-Boy Barshie emerged as the winner, securing his place at the National Final in September after years of competing in a breaking scene where opportunities of this scale remain limited.

“You don’t really have a lot of competitions like this in South Africa, so this was really good,” Barshie said. He will now turn his attention to the National Final, where he will compete for a place at the World Final.

B-Girl Baylie, the only woman in the Johannesburg bracket, also made her mark by battling against a field of B-Boys to claim the B-Girl title. For her, the competition provided an opportunity to test both her physical endurance and mental strength.

“It teaches you a lot; it pushes my stamina and my power. That helps a lot; it prepares me for what I have to get ready for,” she said.

The qualifying series continues in East London on 25 July at Hemingways Mall before moving to Cape Town on 1 August at Makers Landing Waterfront. The qualifiers will determine the Top 16 B-Boys and Top 8 B-Girls, with competitors judged on technique, originality, musicality and performance.

With no rehearsed routines, the format places the focus squarely on the individual breaker’s ability to respond to the music, adapt to their opponent and perform under pressure.

The winners from each city, alongside selected wildcards, will progress to the National Final in Cape Town on 6 September. From there, one B-Boy and one B-Girl will be selected to represent South Africa at the Red Bull BC One World Final in Toronto on 29 November, where they will compete against leading breakers from around the world.

The competition is now in its 19th year in South Africa and has become an established fixture in the country's breaking community. Last year's champions, B-Boy Toufeeq and B-Girl Courtnaé Paul, successfully defended their titles, setting a high standard for this year's competitors.

“Red Bull BC One is more than a competition; it’s a celebration of culture, creativity, and resilience. Every year the level climbs, and I can’t wait to see who steps up in 2026,” Paul said.

Founded in 2004 in Biel, Switzerland, Red Bull BC One has grown into a major international one-on-one breaking competition, with more than 85 qualifiers held across 35 countries each year. Previous World Finals have taken place in cities including Rio de Janeiro, New York, Paris and Tokyo.

Toronto will host the World Final for the first time this year, with South Africa's qualifiers hoping to carry the country's growing breaking culture onto the international stage.

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