NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Spotify Wrapped: Black Sherif is Ghana’s most streamed artist

30 Nov 2023 - 11:04

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For the second year running, Black Sherif has emerged as the most streamed Ghanaian artist on Spotify, according to Wrapped 2023, the company’s end-of-year round-up.

Black Sherif.

The report, released this week, spotlights the biggest songs and artists in Ghana while tracking the streaming habits of Ghanaians.

Black Sherif also topped the list of most searched artists, while his debut LP, The Villain I Never Was, also led the chart on the top streamed albums. Last year, the project rounded the year as the second most streamed album in Ghana. King Promise’s ‘Terminator’ claimed a spot as the most streamed Ghanaian song. Following closely were Black Sherif’s ‘Konongo Zongo’ and ‘Oil in My Head’.

A key takeaway from the report is the continued dominance of Nigerian music in the Ghanaian landscape. Topping the list of most streamed artists in Ghana is Nigerian act Asake, followed by Burna Boy. Black Sherif secured a third spot, while other Afrobeats stars like Davido and Omah Lay, as well as Canadian act Drake made it in the top 10 list. The most streamed songs are also from Nigerian artists, namely Ruger’s with ‘Asiwaju’ and Asake’s ‘Lonely At The Top’. Ayra Starr leads the pack as the most streamed female artist in Ghana and the only female artist in the top 10 most streamed artists, while Rema topped the list of most searched artists in Ghana.

Amaarae, Black Sherif, and KiDi lead as the most exported Ghanaian artists, captivating audiences worldwide with their unique styles and transforming their music into a cultural bridge that unites listeners across continents. Ghana’s most streamed throwback song is ‘Aben Wo Aha’ by highlife veteran Daddy Lumba. Other songs by Lumba, including ‘Akoma Da Akoma So’, ‘Menya Mpo’ and ‘Theresa’ also featured in the list.

“Spotify Wrapped 2023 unveils a nation that doesn’t just consume music but actively participates in a worldwide celebration of creativity, proving that with music, Ghana’s arms are wide open, welcoming the world to join in its musical diversity,” Spotify’s head of music for sub-Saharan Africa, Phiona Okumu, said.

Spotify is the world’s most popular audio streaming subscription service with a community of 574 million users, including 226 million Spotify Premium subscribers, in over 180 markets.

Most streamed artists in Ghana

  1. Asake
  2. Burna Boy
  3. Black Sherif
  4. Davido
  5. Drake
  6. Omah Lay
  7. Ayra Starr
  8. Rema
  9. Sarkodie
  10. Stonebwoy

Most streamed albums in Ghana

  1. The Villain I Never Was by Black Sherif
  2. Timeless by Davido
  3. Work Of Art by Asake
  4. Mr. Money With The Vibe by Asake
  5. Boy Alone by Omah Lay
  6. Love, Damini by Burna Boy
  7. 5th Dimension by Stonebwoy
  8. Rave & Roses Ultra by Rema
  9. I Told Them… by Burna Boy
  10. Playboy by Fireboy DML

Most streamed female artist in Ghana

  1. Ayra Starr
  2. Rihanna
  3. SZA
  4. Tems
  5. Tiwa Savage
  6. Gyakie
  7. Adele
  8. Billie Eilish
  9. Nicki Minaj
  10. Beyoncé

Most streamed songs in Ghana

  1. ‘Asiwaju’ by Ruger
  2. ‘Lonely At The Top’ by Asake
  3. Xtra Cool by Young Jonn
  4. ‘Soso’ by Omah Lay
  5. Bandana’ by Fireboy DML
  6. ‘Rush’ by Ayra Starr
  7. ‘Terminator by King Promise
  8. ‘UNAVAILABLE’ by Davido ft. Musa Keys
  9. ‘Charm’ by Rema
  10. ‘FEEL’ by Davido

Most streamed Ghanaian artist in Ghana

  1. Black Sherif
  2. Sarkodie
  3. Stonebwoy
  4. Kwesi Arthur
  5. King Promise
  6. Jay Bahd
  7. Shatta Wale
  8. Lasmid
  9. Gyakie
  10. Kwaku DMC

Most streamed Ghanaian songs

  1. ‘Terminator’ by King Promise
  2. ‘Konongo Zongo’ by Black Sherif
  3. ‘Oil in my Head’ by Black Sherif
  4. ‘Run’ by Black Sherif ft. EMPIRE
  5. ‘Country Side’ by Sarkodie ft. Black Sherif
  6. ‘Into The Future’ by Stonebwoy
  7. ‘Soja’ by Black Sherif
  8. ‘45’ by Black Sherif
  9. ‘Atele’ by Lasmid
  10. ‘SOMETHING’ by Gyakie

Most exported Ghanaian artists

  1. Amaarae
  2. Black Sherif
  3. KiDi
  4. King Promise
  5. Camidoh
  6. Gyakie
  7. Shatta Wale
  8. JZyNo
  9. Stonebwoy
  10. Sarkodie

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