NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Reviews

Sungura: Story of John Chibadura and Zim music

Writer: Andreas Hoehn   
Director:
Vladimir Petrovski-Karter   
Running time:
104 minutes

The late John Chibadura.

The new, extraordinary DVD titled Sungura: Story of John Chibadura and Zimbabwean Music, brought tears to my eyes.

As a sungura fan, I applaud the creators of this DVD for a job well done. It is quite informative and, indeed, a must-have for every Zimbabwean. It is an important resource that documents the story of sungura music, a genre facing serious threat from emerging types of music, for posterity.

The documentary begins with John Chibadura’s sons, one singing their father’s song 'Zuva Rekufa Kwangu', and the other playing a guitar. It is a beautiful, touching opening at Chibadura’s homestead. At the end of the DVD, we are taken to the same set, with the same young man who was playing the acoustic guitar at the beginning now singing his father’s 'Madiro'.

After 'Zuva Rekufa Kwangu', the scene then changes and the viewer is taken on a ride around present-day Zimbabwe, while listening to the late Edinah Chataika’s 'Nguva Yakanakisa', itself a deeply moving track.

The documentary presents, in a long sweep, the entire story of sungura music in Zimbabwe, from the past to the present, with sneak previews into the future, through various artists who have dominated the music genre.

Watching the story of Mhosva Marasha – popularly known as Biggie Tembo in music circles – is bound to get you emotional, especially when you hear his son singing the late great musician’s songs and talk fondly about his late father. One of the outstanding features of the documentary is how it demonstrates the efforts by the offspring of these late great musicians to carry their legacies.

The DVD also relates the story of the late Tymon Mabaleka, a man who wore many hats: music producer, manager and Rhodesia national soccer team player. Listening to his stories, interweaving some interesting sungura moments, simply makes one nostalgic. Mabaleka takes us through the Zimbabwe Music Corporation vinyl pressing plant and how it operates. Will future generations know what a vinyl record is?

Mabaleka also shares colourful details about how Chibadura began his music journey and other enthralling stories that, had this documentary not been produced, would have likely been buried with their bearers.

Affectionately known as Mr Chitungwiza, John Chibadura was among Zimbabwe’s finest ever musicians. He died on 4 August 1999 at the age of 42.

Watching the documentary was a heart-warming experience: visiting the Chibadura home in Chiweshe and meeting the rest of the family including Chibadura’s wife, Mrs Chitungwiza (as Mabaleka fondly called her). There were sombre moments too, as I stood by Chibadura’s grave and many happier ones as I witnessed some live recordings.

The old video clips from Chibadura, Tembo, Green Arrows, Black Salutaries, Mashura and Okavango Boys, Marshall Munhumumwe and The Four Brothers took me down memory lane. There was also time to get on the dance floor as I visited nightclubs in the 'Sunshine City' of Harare for live performances by Alick Macheso and Tryson Chimbetu.

The interviews with various people throughout the documentary were educative and absorbing. Seeing the writer and director of the documentary, Andreas Hoehn, dancing to 'Zuva Rekufa Kwangu', put a smile on my teary face.

Buy the DVD here.

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