NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Tanzania’s Mzungu Kichaa taps into music’s healing power

25 Feb 2016 - 09:06

cc-img flag-img

As he bellows out the words “set the night on fire…” at the end of his new song, there is no doubt that you'll want to hit the replay button. Tanzanian artist Mzungu Kichaa’s new song ‘Relax your Mind’ is a song that offers a solution to a mind trapped in the hustle and bustle of daily life, robbing people of one of life's simple joys: relaxation.

Mzungu Kichaa and some members of his band. Photo courtesy of Mzungu Kichaa

The name Mzungu Kichaa (which means ‘crazy white man’) has reverberated throughout the East Africa since his debut in 2009. The artist was born in Denmark but grew up in Tanzania, where his parents worked. After having lived in the UK and Denmark since 2000, he returned to Tanzania in 2009, shortly after releasing his debut album Tuko Pamoja while still in Denmark. The album received a lot of attention all around the world, particularly within the 'world music' community and the African diaspora. At the end of 2009 he formed his band, which features in his new single, ‘Relax your Mind’. Released on 8 February, the new track delivers a message that is positive and uplifting.

The artist recently took some time to chat to Music In Africa about his work and his plans for the year.

Recalling the formation of his band and the early days of his professional career, Mzungu Kichaa explained: “When I formed the band in December 2009, we had already been booked to perform at Sauti za Busara in Zanzibar, the Rift Valley Festival and The Patricia Show in Kenya. When I put the band together, I started with the rhythm section, selecting a drummer and bass player that I felt had a good chemistry. I saw them at Busara in 2008 backing the Ethiopian singer Jonny Ragga and felt that they were really tight. We have been playing together ever since. We've done seven European tours and also performed extensively on the continent.”

Musical therapy

With his songs typically driven by the happenings of day-to-day life, Mzungu Kichaa says he is now focusing on using his music to share messages of optimism and to encourage young people around the world. "Musicians of the old generation were focused on socially conscious and political lyrics during difficult times of liberation and independence. These songs have always been a big inspiration to me, but things have changed a lot. The youth of today face a lot of different struggles that need to be addressed.

"I have used both ‘Twajiachia’ and ‘Relax Your Mind’ as a form of therapy to deal with this type of stress. My hope is that other people will be able to benefit from its healing properties too,” Mzungu Kichaa says of his music.

He also aims to be as authentic as possible when creating his music videos and to set himself apart from the other artists who are out to portray a 'bling' lifestyle in their music videos. “I am not a fan of flashy cars and women reduced to sexual objects, which is more and more the case in a lot of Tanzanian music videos,” he observes.

Even though Tanzania is not exactly a hotspot for reggae music, Mzungu Kichaa’s new single has an unmistakable reggae groove that would get almost anyone on their feet. Despite reports that indicate that the reggae scene in Tanzania is dismal, the artist feels that reggae in Tanzania is alive and kicking, although there are very few artists who have made it into the mainstream. While Dar es Salaam has since the early 1970s been a breeding ground for new African popular music styles, the country’s reggae scene lacks regular concerts and shows to introduce new music to fans. The cost of recording songs is also relatively high because unlike the Bongo Flava genre, reggae is usually recorded with a full band.

Despite the obstacles facing reggae in his country, Mzungu Kichaa is optimistic that reggae will grow in Tanzania. He sees the staging of events such as the first edition of Bongo Reggae Festival in 2015, which showcased some amazing talent from Tanzania alongside acts such as Keznamdi from Jamaica, as a step in the right direction.

To ensure that emerging talents have an avenue to showcase, Mzungu Kichaa organizes the monthly event The Beat, for which he invites artists from all genres to showcase their music.

Promotion

While his new single continues to attract various reactions from viewers on YouTube, the song has also got fans asking questions about how artists like Mzungu Kichaa promote their work. One fan commented that though the song is good, individuals who would like to hear it may not know about it due to low promotion. Appreciating this observation, Mzungu Kichaa notes that he promotes his music mainly on social media and uses his network to reach a new fan base. Occasionally he says he engages the services of marketers to promote his work.

In terms of getting his music played on radio, Mzungu Kichaa says he is not ready to compromise his morals by paying for his music to get airplay - something he says is a common trend in Tanzania. “Sometimes you will hear a poorly packaged song on radio and you will know that this has been heavily 'promoted'," he says. "The problem is that if this becomes the standard way of promoting your music, most music and musicians who don´t have the means to pay for airplay will suffer.”

Future plans

Looking beyond his latest release, Mzungu Kichaa says he is finishing off a new album and fans can expect him to release another new music video in the near future. He is also working on an unplugged album and a tour of schools in Denmark, where he will be helping to raise awareness of street children in Tanzania after being appointed an ambassador for the SOS Children’s Villages in Tanzania. The artist is excited about this and says he is looking forward to performing for a younger generation. He hopes that this new role will influence his song writing in the future.

Looking further ahead, he says he is committed to focussing on building his career in Africa over the next couple of years, rather than in Europe. “I feel that I have been using too many resources in the European market and believe that I need to start building right here on the continent. I'm hoping to visit a lot of new countries and to tour more within Africa".

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media