NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Three African artists named 2022 Aga Khan Music Awards laureates

11 Oct 2022 - 11:48

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Tanzanian composer and singer Yahya Hussein Abdalla, Malian singer and guitarist Afel Bocoum, as well as Mauritanian singer and harp player Coumabne Mint Ely Warakane have been named as laureates of the 2022 Aga Khan Music Awards. The three are among seven other recipients of the awards selected from around the world.

Mauritanian singer and harp player Coumabne Mint Ely Warakane. Photo: AKDN

The triennial awards, established by His Highness the Aga Khan in 2018, recognise exceptional creativity, promise and enterprise in music in societies across the world in which Muslims have a significant presence.

The award recipients will share a prize fund of $500 000 and get opportunities to expand the impact of their work and develop their careers. These include commissions for new works, recording contracts and support for pilot education initiatives with the goal of providing recognition for today’s generation of artists and inspiring and helping a new generation of performers and composers in the East and West.

Laureates of the Aga Khan Music Awards will be celebrated at a ceremony and series of affiliated events in Muscat, Sultanate of Oman, organised in conjunction with the Aga Khan Award for Architecture from 29 to 31 October 2022.

“No other award or prize focuses on the constellation of devotional music and poetry, indigenous classical music, traditional folk music, and tradition-inspired contemporary music that has flourished in cultures shaped by Islam,” the organisers said.

Laureates were recognised for engaging with contemporary social and environmental issues while sustaining and developing musical traditions. They serve to fill a unique cultural need by recognising and developing exceptional creativity and promise in music and music education in societies across the world.

In naming the laureates, the awards' master jury expressed its desire to support as many outstanding nominees as possible from the geographically and culturally diverse pool of close to 400 nominations in a time of urgent need for musicians and music educators. While contributing to the preservation and ongoing development of musical heritage, many of the laureates draw on the power of music to raise awareness about social and environmental issues.

The laureates of the 2022 Aga Khan Music Awards are:

Zakir Hussain (India)

Hussain was awarded the special prize for Lifetime Achievement in recognition of his highly visible model of enlightened cross-cultural musicianship that has elevated the status of the tabla both in India and around the world through countless artistic collaborations, concert tours, commissions, recordings and film scores.

Afel Bocoum (Mali)

Bocoum is a singer and guitar player from Niafunké, Mali whose music combines acoustic guitar with local instruments to echo the sound of “desert blues” in an earthier, tradition-based style.

Asin Khan Langa (India)

Langa is a sarangi player, singer, composer and community activist from Rajasthan’s hereditary Langa musical community, who performs Sufi poetry set to traditional and newly composed melodies.

Coumbane Mint Ely Warakan (Mauritania)

Ely Warakane belongs to a hereditary caste of musician-poet-singers (griots) in Mauritania called iggāwen in the local Hassāni Arabic. Her own family represents the iggāwen tradition of Trarza, in Mauritania’s southwest, where she learned from her aunt, the singer Wana mint Bouban (1933-2022), to sing and play the ardin, an angular harp with a calabash resonator that is always played by women.

Daud Khan Sadozai (Afghanistan)

Sadozai is a leading exponent of the Afghan rubab who has had a major impact on the preservation, development and dissemination of Afghan music worldwide.

Peni Candra Rini (Indonesia)

Rini is an Indonesian composer, improviser, vocalist and educator whose knowledge of traditional Indonesian performing arts informs her creation of new works produced worldwide.

Soumik Datta (UK)

Datta is a sarod player who fuses his training in Hindustani classical music with pop, rock, electronica and film soundtracks to raise awareness about urgent social issues including climate change, refugees and mental health.

Yasamin Shahhosseini (Iran)

Shahhosseini is a leading young master of the oud who is reimagining the place of this instrument in Iranian music through her innovative compositions and improvisations.

Zarsanga (Pakistan)

Zarsanga is a singer from Khyber Pakhtunkhwa, Pakistan, known as the Queen of Pashtun Folklore for her career-long devotion to the orally transmitted traditional music of tribal Pashtuns.

Special mentions:

Dilshad Khan (India)

Khan is a 10th-generation sarangi player from a hereditary lineage in Rajasthan who is expanding the language of the sarangi in film music and through innovative cross-cultural collaborative projects.

Golshan Ensemble (Iran)

Four women who perform Iranian traditional music with a contemporary sound and are active as teachers, with a special focus on transmitting their musical tradition to girls and women.

Sain Zahoor (Pakistan)

Punjabi musician with a lifelong practice of singing Sufi poetry in local shrines and festivals, often accompanied by ecstatic dance.

Seyyed Mohammad Musavi and Mahoor Institute (Iran)

Founder and long-time director of Mahoor Institute of Culture and Arts, who has made seminal contributions to the development of Iranian music and musicology.

Zulkifli and Bur’am (Aceh, Indonesia)

Revitalisers of Acehnese song traditions who have cultivated community building amongst youth through their participation in Bur’am, a traditional singing and drumming ensemble established by Zulkifli.

The Aga Khan Music Awards Master Jury also named Musallam al-Kathiry as the winner of a special award for Excellence in Service to Omani Musical Heritage. Mr al-Kathiry, a music researcher, arts manager, performer and composer from Muscat, Sultanate of Oman, has made important contributions to the collection, documentation, preservation and dissemination of Omani music.

The Master Jury that selected the winners consisted of six distinguished arts professionals from Azerbaijan, Bahrain, India, Turkey, Tunisia and the United State.

The full biographies of the laureates are available here.

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