NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Tiwa Savage cancels SA gig amid xenophobic attacks

04 Sep 2019 - 11:55

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Nigerian singer Tiwa Savage has announced that she will not perform at the upcoming DStv Delicious Festival in Johannesburg on 21 September. Savage’s decision comes amid a spate of assaults and killings of foreigners by South Africans in the past two days.

Tiwa Savage.

Since Monday, rioters and looters have targeted foreigners and their businesses across Johannesburg and Pretoria. Foreign-owned shops have been looted and set alight. At least five people have been killed and dozens injured.

“I refuse to watch the barbaric butchering of my people in South Africa,” Tiwa Savage wrote on Twitter. “This is sick. For this reason, I will not be performing at the upcoming DStv Delicious Festival in Johannesburg on 21 September. My prayers are with all the victims and families affected by this.”

Burna Boy, who is supposed to perform at Afropunk Festival in Johannesburg on 30 and 31 December, also took Twitter to announce his displeasure with the situation in South Africa.

“I have not set foot in South Africa since 2017,” Burna Boy wrote on Twitter. “And I will not ever go to South Africa again for any reason until the South African government wakes the f*ck up and really performs a miracle because I don’t know how they can even possibly fix this.

“But today after watching the killing of my people in South Africa the same way we have all watched it happen a few times in the past. F*ck all that! I personally have had my own xenophobic experiences at the hands of South Africans.”

Another Nigerian artist, Wizkid, also voiced his concerns on social media. “Disheartening to watch these videos from my home,” he said. “You’re fighting the wrong war, fighting the wrong people. How do we walk around hating each other? Africa is one! We’re all the same people. Please don’t lose yourself! #SayNoToXenophobia One Love.”

But South African gqom artist Babes Wodumo seems to be supporting the violence against foreigners. “Africa is one yama simba [nonsense], Nigerians must go. Kumanje [right now] women are forced into prostitution kwi [on] Instagram," she tweeted.

She also wrote: “Nigerians need to leave South Africa. Everything would be smooth without them.”

In response to Babes Wodumo, Nigerian musician Yemi Alade said: “You don't deserve any love from Africa as a whole. You are a big disappointment to yourself. To encourage negativity and violence in troubled times like this when Africans need to unite. You need a brain reset and a ban from going to any African country.”

Popular South African rapper Cassper Nyovest said: “There's so much going on. I don't even know where to start but my country, it's women and children are disappearing by the day. Our fellow African brothers are being killed and some people are justifying it. It's scary, sad and it's wrong. Something needs to happen.”

Meanwhile, Mlindo the Vocalist says he is worried about performing in Zimbabwe at the weekend. “I’m supposed to travel to Zimbabwe this weekend, but I fear for my life since I am South African. My country is doing so much harm to our brothers and sisters I have no choice but to wonder what lies in another African country as an African,” he said.

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