NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Top 10 East African music collabos of 2019

12 Aug 2019 - 14:33

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Collaborations can often bring much success to musicians around the world.

Sauti Sol.

In East Africa, collaborations are providing many breakthrough opportunities for new acts and reinvigorating the careers of more established ones. Some of East Africa's most significant hits like 'Kwangaru', 'Mwanza' and 'African Beauty' are a result of collaborations. Indeed, the chances of striking gold improve when great artists put their minds together.

East African artists Like Diamond Platinumz, Eddy Kenzo and Sauti Sol have enjoyed popularity across the region and continent alike because of successful collaborations with artists from across Africa

As part of our Top 10 series, we have put together a list of successful East African collaborations. Since there are still five months to go until the end of the year, make sure you come back to this playlist for new updates as the new releases season picks up.

10. 'Extravaganza' by Sauti Sol ft. Bensoul, Nviiri the Storyteller, Crystal Asige and Kaskazini

Inspired by Congolese rumba, Kenyan boy band Sauti Sol took the opportunity to introduce their latest Soul Generation record label signees. The song was produced by Sauti Sol and Mboks, and recorded at Snowball Industries. The video was directed by Mbithi Masya and edited by Raymond Otieno.

9. 'Umuti' By Sako NY ft. Jay Polly

Soaring Rwandese artists Sako NY and Jay Polly have a knack in working together. Here they appear courtesy producer Pacento, a hitmaker in his own right. 'Umuti' only lasts for just over three-and-a-half minutes but that's all you'll need to get the party going.

8. 'Replace Me' by Grenade ft. John Blaq and Sheebah

Grenade and John Blaq are household names in Uganda's urban music scene, but Sheebah's performance on this up-tempo track has definitely helped to rank 'Replace Me' as a top club banger in the East African country. The video was released on 1 March 2019.

7. 'Kiboko Remix' by Masauti ft. Khaligraph Jones

Carrying the bongo flava sound, Kenyan singer Masauti and rapper Khaligraph jones collaborate on 'Kiboko Remix'. The song as produced by Motif Di Don and the video had at the time of writing more than 1 million views YouTube views since its release on 20 March.

6. 'Downtown' by Meddy ft. Nish

Released on 17 July, 'Downtown' is a party song by US-based Rwandese artist Meddy in collaboration with Burundian artist Thierry Nish. The video was produced and directed by US-based Rwandan record producer Lick Lick. The lyrics of the track are in both Kinyarwanda and English.

5. 'Lazizi' by Charley na Nina ft. Orezi

Rwandese all-girl group Charly na Nina co-wrote the song with Nigeria's Orezi who sings in pidgin English, Swahili and Kinyarwanda. 'Lazizi' is a single off their recently released 10-track Imbaraga album. The audio was produced in Rwanda by producer Pastor P and the video shot in Uganda by Swangz Avenue.

4. 'Omu Bwati' by Fik Fameica ft. Patoranking

This is a winning Uganda-Nigeria collaboration for rapper Fik Fameica; he's officially the first Ugandan artist to collaborate with Nigerian reggae-dancehall artist Patoranking. But Patornking is no stranger to East Africa and has previously collaborated with Kenya's Sauti Sol and Tanzania's Diamond Platnumz, Harmonize and Rich Mavoko. The below video was released on 18 July.

3. 'Hallelujah' by Willy Paul and Nandy

This single makes it the second collaboration between the two artists. Willy Paul is one of the few Kenyan musicians who have successfully collaborated with Tanzanian artists. His collaborative repertoire includes tracks with Jamaica's Alaine and Tanzania's Rayvanny and Harmonize.

2. 'Pull Up' by Eddy Kenzo ft. Harmonize

'Pull P', is the first collaboration between Ugandan Afro-beats artist and Tanzania's bongo flava singer Harmonize. The two cheerfully vibe as Harmonize tries to sing in what seems to be Luganda language perhaps to bridge the duo's otherwise very different sounds. The video was released on 23 July 2019.

1. 'Inama' by Diamond Platnumz ft. Fally Ipupa

With the premiere of Diamond Platnumz and Congolese star Fally Ipupa's 'Inama' video, it's difficult to come up ith a musicians who hasn’t worked with the Tanzanian superstar. The video was released on 9 June and seems to be one of the most loved tracks of 2019 with 13 million views at the time of writing.

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