NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Top 10 Kenyan songs of 2019

21 May 2019 - 12:40

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When it comes to Kenyan music, expect to be treated to a wide variety of genres such as Afropop, hip hop, bongo flava, benga, reggae and dancehall.

Kenyan rapper Femi One.

Last year saw a number great albums such as Blinky Bill’s Everyone Is Just Winging It And Other Fly Tales, Eric Wainaina’s Dreams In Stereo, and Ciano Maimba's Serve Chilled.

There were also songs that registered impressive stats across streaming platforms, including ‘Short and Sweet’ by Sauti Sol, 'Bebi Bebi’ by Nyashinski and 'Chaguo La Moyo' by Otile Brown and Sanaipei Tande.

Once again, it is time for a definitive playlist of Kenyan music for 2019. The following releases have been drawn from a variety of genres and established artists – both established and upcoming . Check our picks throughout the year, as we will be adding new tracks as the year progresses.

This below playlist has been compiled by the author of the article and does not necessarily reflect objective data or the views of the publication.

10. ‘Tumaini’ by Joyce Omondi

When the time comes to doubt God's plan, find clarity in ‘Tumaini’. Omondi says God knows our every thought and has already predetermined our lives. “Umenipangia mema, Tumaini la baadae nilipate." (You have good things planned for me in the future), she sings.

9. ‘Oooyah’ by Eko Dydda

“If hard work pays, show me a rich donkey.” This is a line from Eko Dydda’s ‘Oooyah’. The rapper is known in the gospel music scene for his creative concepts, witty lyricism, flow, wordplay, and overall artistic appeal.

8. ‘Mmmh’ by Willy Paul ft. Rayvanny

In recent years, Willy Paul, who has for a long time branded himself as a gospel singer, has come under fire from critics for releasing music that is not overtly Christian. So you can imagine the rage that ensued when the love song ‘Mmmh’ was released alongside Tanzanian bongo flava artist Rayvanny. Ironically, the singer’s releases have become some of the most popular in the country. At this point, he might as well make a permanent shift to secular music.

7. 'Welcome to Kenya' by Zikki

‘Welcome to Kenya’ shows Zikki’s pride in being Kenyan. He celebrates the beauty of the country's wildlife and landscape. Its chorus is an invitation to all: “Welcome to Kenya, this is my jam-down. Welcome to Kenya, this is where we are free."

6. 'Rio’ by Redsan

'Rio’ has to be one of 2019's simplest yet most effective lyrics: “Let me take you to Rio / You can teach me the tango while I play the piano / We can do the bailando". The self-proclaimed king of the dance floor stamps his authority on this breakthrough track, and the Latin feel is further accentuated with what sound like Redsan singing in fluent Spanish.

5. ‘Japo Kidogo’ by Otile Brown ft. Khaligraph Jones

The only proper way to pay tribute to the dance floor is to make a song that dominates it, and that's precisely what these two artists have accomplished. ‘Japo Kidogo’ (Just For a Little Bit) was released towards the end of March and is getting close to hitting 1 million views on YouTube.

4. 'Lucy' by Bensoul

'Lucy' is a career highlight for the talented young artist who still has a lot of great music ahead of him. Bensoul does a fantastic job sharing his passion with 'Lucy' and pushing expectations to create a sound that is both familiar and innovative. What a way to announce your entry onto the music scene.

3. ‘Hiyo One’ by Femi One

From the moment the first bar is played, you know Femi One is no stranger to the rap game. The flow and lyrical precision in ‘Hiyo One’ prove that she is the queen of Kenya rap. “I am in a class of my own so usitry kunitest” (...so do not test me). This release sets high expectations for other female rappers planning to release tracks in 2019.

2.'Radio Love' by Nadia Mukami ft Arrow Bwoy

‘Radio Love’ carries the energy that you can only find in a club. The lyrics conjure the image of sweaty, uninhibited bodies moving in unison with the possibility of succumbing to the throb of the beat.

1. ‘Orudo Aye’ by Makadem

You need not know the Luo language to enjoy ‘Orudo Aye’, which translates to 'Illiterate Go Away'. The title is adopted from a school song that reminds students of the importance of education. The Afro-fusion artist has stepped outside his comfort zone and done something unique by injecting electro sounds in his music, while his powerful vocals glide smoothly between the beat in Luo and his famous 'Africanised English'. The result is a breath of fresh as far as Kenyan releases are concerned.

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