NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Top 10 Ugandan songs of 2019

09 Dec 2019 - 14:43

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Most of Uganda’s big hits at the moment are club bangers. Over the past 10 years, Ugandan musicians have bestowed upon their fans not only some of the most creative and engaging music but an ample amount of bona fide club hits mainly taking up the Afrobeats, hiphop, reggae and dancehall genres.

Ugandan heavyweights Fika Famaika and Vinka.

The industry showed great progress in 2019 when Vinka and Irene Ntale made history by becoming the first Ugandan artists to sign with Sony Music and Universal Music, respectively.

Eddy Kenzo placed Uganda on the international map once again when he scooped the Best Entertainer of the Year award at the African Entertainment Awards in the US. His nomination pitted him against African heavyweights Diamond Platnumz (Tanzania), Shatta Wale (Ghana) and Nigeria’s Davido, Wizkid, Yemi Alade, and Tiwa Savage.

The continent was also for the first time introduced to Ugandan artists Sheebah, Alvin Kizz, Fik Fameica and King Saha through collabo reality show Coke Studio Africa.

Below is a list of some of the top Ugandan songs released in 2019, as selected by our East Africa content editor Lucy Ilado.

10. Guttuja by Rema and B2C

Veteran Ugandan singer Rema features boy group B2C in this slow-tempo romantic love song. B2C have had a great 2019, with nominations at the Zzina and AFRIMA awards, and 'Guttuja' winning the Teeniez Hottest Collabo at the 2019 Buzz Teeniez Awards.

9. Chupa Ku Chupa by A Pass

A Pass’ first single of 2019 became a club banger and an on-the-spot success. Artin on Da Beat produced the audio while the video for the slow-tempo dance song was directed by Marvin Musoke and Hosea Jemba. It was shot by Swagz Avenue.

8. Boom Party by Cyndy Sanyu

Self-proclaimed queen of dancehall Sanyu has had a successful year with the release of hits such a 'Copicat' and 'Boss', but it was 'Boom Party' that stood out. She has also scooped several nominations at major music awards in Uganda.

7. Sure by Vinka

Arguably the most successful Ugandan artist in 2019, Vinka started the year with 'Sure'. The song was released on 1 May by the Swangz Avenue label. Soon after, she signed a global multi-album recording deal with Sony Music Entertainment, joining other African stars such as Wizkid, AliKiba and Davido. In November she linked up with Romanian star INNA to release 'Bebe'.

6. Do Dat by John Blaq

Everywhere you turned in 2018 you couldn't escape hearing about John Blaq, and that trend continued in 2019. He was also the biggest winner at the Buzz Teeniez Awards. ‘Do Dat’ and the song’s positive reception is due to arguably the catchiest hook of the year. Dr Power On Dah Beat gets the producer’s credit while Aron On Dah Set shot the video.

5. Sweet Sensation by Sheebah ft. Orezi

Orezi released his highly anticipated single 'Sweet Sensation' in September featuring top Ugandan female artist Sheeba. The song was produced by TYMG, and mixed and mastered by MillaMix.

4. Fik Famaika ft. Joeboy

Rapper Fik Fameica dropped 'Wansakata' featuring Nigerian singer Joeboy on 13 September. ‘Wansakata’ is a dancehall song that was produced and mastered by Artin Pro.

3. Parte After Parte by BigTril

‘Parte After Parte’ is BigTril’s breakthrough song. The hip hop single was awarded the Teeniez Hottest Song of the Year and Teeniez Hip Hop Song at the 2019 Buzz Teeniez Awards.

2. Inabana by Eddy Kenzo ft. Harmonize

One of Uganda's most well-known musicians internationally, Eddy Kenzo, makes yet another groovy collaboration with Harmonize for the second time after the release of 'Pull Up' in July 2019. The 'Inabana' video has so far garnered more than 2 million YouTube views, making it one of Uganda's most popular songs of the year.

1. Sikikukweeka by Daddy Andre

Daddy Andre has proven to be a master of straddling the line of being a musician and producer, and in 2019 released top-charting projects 'I Like', 'Trumpet' and 'Baby Papa'. This year also saw him debut as the first Ugandan producer at Coke Studio Africa in Nairobi, Kenya.

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