NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Top African songs of 2021 – part 2

24 Dec 2021 - 08:41

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This is part 2 of Music In Africa's Top African Songs of 2021 playlist. Read part 1 here.

Zuchu, Wegz, Shan'L, Flenn and Spice Diana.

East Africa

East Africa had a steady stream of pop hits and international collaborations from both emerging and established acts. Tanzania’s Diamond Platnumz ruled the region with impressive releases that amassed millions of YouTube views. In Kenya, popular band Sauti Sol had a successful year and appeared on a massive Times Square billboard in New York, while East African female powerhouses Zuchu (Tanzanina), Femi One (Kenya), Nandy (Tanzania) and Nadia Mukami (Kenya)) employed indigenous sounds to create memorable signature hits.

Sukari by Zuchu (Tanzania)

Baikoko by Mbosso ft. Diamond Platnumz (Tanzania)

Naanzaje by Diamond Platnumz (Tanzania)

Basi Tu by Lava Lava ft. Mbosso (Tanzania)

Cheketua by Barnaba ft. Alikiba (Tanzania)

Infidèle by Alikiba (Tanzania)

Bomba by Kayumba (Tanzania)

Teacher by Harmonize (Tanzania)

Lava Lava by Inatosha (Tanzania)

Azawi by Party Mood (Uganda)

This Is Love by Rema Namakula and The Ben (Uganda/Rwanda)

Andele by Daddy Andre ft. Nina Roz (Uganda)

Nkutuse by Sheebah (Uganda)

Nalonda Nemala by Pallaso (Uganda)

BODY by Spice Diana ft. Nince Henry (Uganda)

Yolo by Sheebah (Uganda)

Thank God by Vinka (Uganda)

Chini Chini by Matata ft. Mejja (Kenya)

Such Kinda Love by Otile Brown and Jovial (Kenya)

In Love by Otile Brown and Alikiba (Kenya)

Kolo by Nadia Mukami ft. Otile Brown (Kenya)

Sipangwingwi by Exray Taniua ft. Trio Mio and Ssaru (Kenya)

Nairobi by Bensoul ft. Sauti Sol, Nviiri the Storyteller and Mejja (Kenya)

Mbwe Mbwe by Bien and Aaron Rimbui (Kenya)

MATATA by ACHUU ft. STL Stella Mwangi (Kenya)

Leila by Masterland (Burundi)

Central Africa

The Central African region was dominated by artists hailing from the DRC such as Fally Ipupa, Koffi Olomidé and Innos'B. To complete the playlist in the region, additional hits came from Cameroon, Chad and Gabon, with artists such as Shan'L (Gabon), Charlotte Dipanda (Cameroon) and Salatiel (Cameroon) releasing outstanding songs featuring incredible collaborators from across Africa and beyond.

Amore by Fally Ipupa (DRC)


Juste une fois by Fally Ipupa ft. M.Pokora (DRC/France)



Mon Amour by Koffi Olomidé ft. Charlotte Dipanda (DRC/Cameroon)



Chief by Koffi Olomidé ft. Tiwa Savage (DRC/Cameroon)

MEME by Innoss'B (DRC)

No No by Innoss'B ft. Rebo (DRC)

C'est qui ça ? by Shan'L (Gabon)

L'ombre d'un autre by Charlotte Dipanda (Cameroon)

Voyage by Locko ft. Bramsito (Cameroon/France)

Good Girl by Salatiel ft. Rutshelle Guillaume (Cameroon/Haïti)

Nzoto by Fally Ipupa (DRC)

Mon soleil by Dadju ft. Anitta (DRC/France/Brazil)

Only You by Gims ft. Dhurata Dora (DRC/Albania)

Tu te laisses aller by Singuila (Congo-Brazzaville/France)

Animation by Fally Ipupa (DRC)

Ndoto by Majoos ft. Koffi Olomidé (DRC)

Tangué by Massanga (CAR)

Astronaute by Youssoupha (DRC/France)

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Only You by GIMS ft. Dhurata Dora (DRC/France)

Tout en Gucci by Ninho (DRC/France)

North Africa

Despite the presence of veteran popstars like Hamza Namira, Tamer Hosny, Amr Diab and Mohamed Hamaki, hip hop dominated music streaming North, Africa, with rappers like ElGrandeToto (Morocco), Wegz (Egypt) and Flenn (Algeria) releasing hard-hitting tracks fused with US trap and the electro mahragan sound.

Aloha by ElGrandeToto (Morocco)

Fady Shewaya by Hamza Namira (Egypt)

Lewjah Tani by Saad Lamjarred and Zouhair Bahaoui (Morocco)

Liyam by Flenn (Algeria)

Asyad El Soot by Wegz (Egypt)

DEGHRI by Mouh Milano (Algeria)

Aloha by ElGrandeToto (Morocco)

Calme by Flenn (Algeria)

Fokak by Double Zuksh (Egypt)

Haram (Pablo II) by ElGrandeToto (Morocco)

B3ida by by Flenn (Algeria)

Awelny Kalam by Tamer Hosny (Egypt)

Ruby by Hetta Tanya (Egypt)

Thezz by ElGrandeToto (Morocco)

Msh Fair by Wegz (Egypt)

Ailleurs by ElGrandeToto (Morocco)

El Melouk by Ahmed Saad (Egypt)

Alerte by Flenn (Algeria)

Siri by Shahyn (Egypt)

CTRL by Marwa Pablo (Egypt)

CHILL by Inkonnu (Morocco)

Samurai by Cairokee (Egypt)

NADI CANADI by TAGNE (Morocco)

420 by Mc Artisan (Algeria)

OK OK by TAGNE (Morocco)

Jwabi by Didine Canon 16, Djalil Palermo and Fouzi Torino (Algeria)

COLORS by Draganov (Morocco)

Ana & Rasi by Islem-23 (Algeria)

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