NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Top Afrobeats songs of 2022

18 Mar 2022 - 10:13

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Alongside amapiano, Afrobeats is arguably the biggest music genre on the African continent. The sound, which is sourced from Africa but embraces pulses from around the world, continues to push boundaries, welcomes new fans and makes continuous appearances on the charts and notable award platforms globally.

Rema, Aya Nakamura, Camidoh and Savara.

Led by the formidable male trio of Wizkid, Davido and Burna Boy and divas like Tiwa Savage and Yemi Alade, Afrobeats is generally concentrated in the West African countries of Ghana and Nigeria. Still, so infectious has the sound been over the years that it has gained ground in other parts of the continent.

We bring you our dynamic annual playlist of the biggest Afribeats songs for the year. Make sure you bookmark this page for your listening pleasure throughout 2022.

Down Flat by Kelvyn Boy (Ghana)

Ghanaian Afro-dancehall singer Kelvyn Boy turns to highlife for his latest offering ‘Down Flat’, which pours lavishly with amorous confessions to a woman.

Finesse by Pheelz ft. BNXN (Nigeria)

Even before it was released, Nigerian producer-turned-singer Pheelz’s ‘Finesse’ had courted TikTok’s virality, which in this age is a major catalyst to chart success. Featuring BNXN, the record, which boasts an anthemic hook, celebrates the happy-go-lucky lifestyle.

Mercy by Adekunle Gold (Nigeria)

‘Mercy’ is taken from Adekunle Gold’s 2022 album Catch Me If You Can. The Afropop jam finds its narrator navigating success amid snakes in the grass.

Attention by Omah Lay ft. Justin Bieber (Nigeria)

Nigerian singer Omah Lay’s new single ‘Attention’ features Canadian pop star Justin Bieber and heralds the KeyQaad act’s forthcoming debut album. The song was produced by Harv, who worked on Bieber’s hit ‘Peaches’.

Calm Down by Rema (Nigeria)

Young Nigerian singer Rema scores another runaway hit with the melodious ‘Calm Down’, which sets the tone for a new album.

Hate Me by Olamide ft. Wande Coal (Nigeria)

Rapper Olamide’s ‘Hate Me’ showcases the infinite prowess of two legends: Olamide as an African hip hop maestro and Wande Coal as a melody machine. Like its title suggests, ‘Hate Me’ addresses detractors.

Killem Every Day by Savara (Kenya)

Sauti Sol member and self-acclaimed “vibe curator” Savara released this motivational spiel ahead of his debut solo album Savage Level. The percussive, dance-ready track entreats listeners to “keep grinding” and “stop whining”.

Sugarcane by Camidoh ft. Phantom (Ghana/ Nigeria)

Ghana’s Camidoh enlists Nigerian beatmaker Phantom for this earworm of a love song. The track, which has gained widespread popularity around the sub-region, also signals new heights for the singer.

Dégaine by Aya Nakamura ft. Damso (Mali)

French-Malian singer Aya Nakamura is among the most streamed artists in Africa. On her latest club jam ‘Dégaine’, which translates as “quickdraw”, Aya boasts about the consequence of her luscious contours on a male admirer.

Stubborn Academy by Shatta Wale ft. Medikal (Ghana)

Rapper Medikal teams up with polarising Ghanaian dancehall singer Shatta Wale, who constitutes the other half of the newly formed DTB (Deeper Than Blood) duo, for this peppy street jam designed to invoke fun and little else.

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