NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Top East African songs of 2023

29 Jun 2023 - 09:37

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Even though Afrobeats and amapiano have taken over the African airwaves, this should not be seen as a threat to musicians performing other genres. East Africa, for instance, continues to serve up its unique bangers, with fresh and established acts like Kenya’s Vic West and Uganda’s Spice Diana countering the Southern and West African wave with sure-fire club anthems of their own.

Rwandan artist Bruce Melodie.

Music In Africa takes a look at some of the stand-out songs East Africans have been rocking to so far in 2023:

Nitongoze – Rayvanny ft. Diamond Platnumz (Tanzania)

This hit by Rayvanny and his mentor Diamond Platnumz is a production masterpiece on many levels. Millions were spent on the video alone with more than 200 people involved in the creative process.

Kaskie Vibaya – Fathermoh and Ssaru (Kenya)

This gengetone banger is yet another testament to the musical abilities of Fathermoh and Ssaru, who play the role of lovers on the hit. Things come to a head when Ssaru strays and enters into a relationship with none other than Fathermoh’s father – and a shouting match, that lays bare the sugar dating phenomenon, ensues. You might need to take cover.

Kwikwi – Zuchu (Tanzania)

This amapiano- and Afrobeats-infused bongo flava track adds to the Tanzanian star’s growing number of hits.

Kuna Kuna – Vic West ft. Brandy Maina, Savara, Fathermoh and Thee Exit Band (Kenya)

The thing that makes ‘Kuna Kuna’ such a vibe is that whenever it’s played, even the stiffest among us will be seen swaying to it. The song will no doubt boss 2023.

Action 'n' Energy – John Frog (South Sudan)

‘Action 'n' Energy’ demonstrates John Frog’s creative ability to infuse high energy into his music, making it the perfect song to vibe to at any event.

Basi Sori – Passy Kizito ft. Chriss Eazy (Rwanda)

Rwandan artist Passy Kizito collaborates with Chriss Eazy, a Rwandan rapper on the rise, on this playful hit that has re-energised his career.

Nobody – Darassa ft. Bien (Tanzania/Kenya)

These two make it look easy, don’t they? ‘Nobody’ is a seamless collaboration between Kenyan vocal genius Bien Aime Baraza and Tanzanian rap flow grandmaster Darassa – a deceptively simple offering oozing years of music-making brilliance.

Siri Regular – Spice Diana (Uganda)

The debut video off the Star Girl EP, ‘Siri Regular’ has performed exceptionally well over the past few months. The song imagines a potential romance between a male boss and a female member of his cleaning staff.

Single Again – Harmonize (Tanzania)

After his well-publicised split from his long-term girlfriend Kajala, Harmonize dropped ‘Single Again’. The result is this raw, heartbreaking offering.

Bailando – Vinka (Uganda)

In Swahili street parlance, Vinka’s ‘Bailando’ would easily be described as ngoma imeanda shule, which loosely translated means ‘a jam that has gone to school’. Why? Bailando has every ingredient required for a successful pop anthem: the thump, the colour and the dangerously seductive lead vocals of… who else but Vinka.

Nyan Nhiar – Arizona JJ ft. Jay Dynamic (South Sudan)

‘Nyan Nhiar’ has become the go-to for South Sudanese TikTokers who are drawn by the smooth vocals of the pair.

Nana – Joshua Baraka (Uganda)

Baraka’s slick vocals and engaging delivery make ‘Nana’ an undeniable dancehall smash hit.

Kashe – Element Eleéeh (Rwanda)

Kashe is a blend of electronic beats, soulful vocals and ethereal soundscapes from Element Eleéeh’s 2022 album of the same name.

Sasa Hivi – Vijana Barubaru ft. Ashley Music (Kenya)

Based on a true story, ‘Sasa Hivi’ was a hidden gem uncovered by TikTok challenges. The song challenges the modern perception of what love should be.

Funga Macho – Bruce Melodie (Rwanda)

‘Funga Macho’ is a catchy feel-good song with visuals that you’ll want to add to your daily playlist right away.

Aya Beledi – MT7 Degreez (South Sudan)

This song, tackling the current state of affairs in South Sudan, has the whole world listening to it.

Balo Balo – Mudra D Viral (Uganda)

Produced by Sasha Vybz, ‘Balo Balo’ showcases a playful and inventive side of Uganda through epic visuals and vintage flair.

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