NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Top Ghanaian songs of 2020

05 Aug 2020 - 17:39

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Ghana’s favourite songs from the first half of 2020 have been led by a younger generation of voices that are charting a new path for the country’s pop sound. Many of these artists are harking back to highlife as foundational blocks for their compositions.

Stonebwoy, Bosom P-Yung, Kwesi Arthur and Darkovibes

At the same time, the usual suspects like Stonebwoy and Shatta Wale also feature strongly. With their 2020 releases, these acts, who have consistently enjoyed top-tier repute in the last decade, continue to affirm their hold on popular music in Ghana.

As it often happens, too, the charts provide room for viral stars who have commenced their tenure in the mainstream as internet sensations.

Finally, as is usually the case for Afrobeats, most of these offerings dwell on the themes of love and the dance floor  –  sometimes on the same song.

Below is Music In Africa's dynamic playlist of the top Ghanaian songs of 2020, in no particular order. The playlist will grow until the end of the year, so make sure you bookmark it for your continuous listening pleasure.

Enjoyment by KiDi

‘Enjoyment’ is KiDi’s first submission of the year. Since its release, the number, bursting with dance rhythm and promises to a lover, has remained a fixture on the airwaves. It also continues the singer’s run as a modern pop expert.

Emergency by Wendy Shay ft. Bosom P-Yung

Though male-dominated, Ghana's music scene is also home to some amazing female exports. Rufftown's Wendy Shay currently leads the pack, holding her own against the men with popular releases and exciting performances. 'Emergency', which features Bosom P-Yung, is her latest offering. A wistful R&B number, the song finds Shay, caught in a COVID-19 quarantine, requesting the presence of her lover as a matter of, well, "emergency".

Ataa Adwoa by Bosom P-Yung

An ardent, almost theatrical take on unrequited love, ‘Ataa Adwoa’ is responsible for catapulting Bosom P-Yung, its eccentric author, into an internet sensation. Its comical template is one that is currently working for AY Poyoo, another viral rapper enjoying massive notice. With endorsements from mainstream stars like Sarkodie and Mr Eazi, ‘Ataa Adwoa’ allowed Bosom to secure his place in a highly competitive space. Other singles have followed, and though they have fared well, Bosom will always look to ‘Ataa Adwoa’ as his most important release.

Inna Song by Darkovibes

Taken off his debut collection Kpanlogo, Darkovibes taps colleague King Promise for ‘Inna Song’ in a tune that now perpetually attends TikTok and Instagram clips. ‘Inna Song’ thrives on a soft melody and an impressive interpretation of the passions that attend romantic love.

Sobolo (Live) by Stonebwoy

‘Sobolo’ finds Stonebwoy, an Afrobeats and reggae-dancehall maestro, providing a refreshing update of ‘Osobro Kyee’, an ageless classic by Ghanaian highlife doyen Paa Bobo. Because it is rendered with a sparkling live band, it is further corroboration of Stonebwoy’s gift as a performer.

Momo by Kelvyn Boy ft. Darkovibes and Mugeez

A former protégé of Stonebwoy, Kelvyn Boy has grown into his own. This is obvious in his steady stream of singles and collaborations since moving from under his mentor's wing. ‘Momo' is a toothsome new record on which he recruits veteran hook master and R2Bees member Mugeez.

Nominate by Stonebwoy ft. Keri Hilson

‘Nominate' features American R&B star Keri Hilson in what many consider as her comeback. It is also easily the biggest song from Stonebwoy’s Anloga Junction album. ‘Nominate' arrives as a beautiful love ode, and is a favourite on wedding playlists in Ghana. Chances are it will stay there for months to come.

Argument Done by Eno Barony

As far as Ghanaian hip hop goes, rapper Eno Barony is a veteran in her own right, having proven her mettle time and again in spite of fierce male competition. If one still nurses any doubt about her punchline prowess, 'Argument Done', which she released during a lyrical feud among mainly female musicians in the country, puts all doubts to bed. It's what she intends anyway: a fearlessly brilliant delivery on the rap tune, complete with witty puns and entendres corroborate the argument in favour of her flair, and consequently, her A-list reputation.

Say Cheese by KiDi

Months after the release of ‘Enjoyment’, KiDi published a surprise five-song EP titled Blue. ‘Say Cheese’, one of the highlights of the project, has also become a huge hit in the country.

Akwele Take by Shatta Wale

A playlist of the top Ghanaian songs bereft of a Shatta Wale song or two could not be credible. A serial hitmaker, the firebrand has maintained continual presence in the charts. ‘Akwele Take’ finds Shatta Wale fusing dancehall with Afrobeats to produce a truly remarkable anthem that has permeated the country.

Sisa by King Promise

To many industry watchers, King Promise is a Ghanaian vocal fortress. This reputation has been corroborated with successful singles and a star-studded debut album. ‘Sisa' is further testament to the singer’s growing acclaim as an expert in the penmanship of love songs. ‘Sisa' mourns a relationship that has taken a turn for the worse.

Turn on the Light by Kwesi Arthur

On this track, hip hop golden boy Kwesi Arthur is looking for love. How long has he been on that quest? "All night long." With this song, the Tema native and BET nominee continues to stake his claim as one who can be trusted not only on hip hop beats but also across R&B and Afropop.

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