NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Top Naija Afrobeats songs of 2023

21 Mar 2023 - 18:11

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Nigeria has maintained its leading position in the African music industry, and its influence has extended to the global music scene through the exceptional abilities of its artists and the distinctive sound they create. In 2023, the integration of various music genres has been centred on the amapiano trend from South Africa, which has led to the production of remarkable musical compositions that exhibit a diverse range of voices and themes, serving as evidence of the versatility of Nigerian musicians.

Ayra Starr.

Music In Africa brings you our selection of the the top Nigerian songs of the year. This compilation highlights the prominence and significance of Nigerian music within the Afrobeats genre, and will be regularly updated throughout the year to feature the latest and most noteworthy releases.

‘Yoga’ by Asake

Asake’s ‘Yoga’ is a meditative psalm about finding self-assurance and empowerment, complete with assertive lyrics and haunting production.

‘Body & Soul’ by Joeboy

Joeboy’s ‘Body & Soul’ highlights its author’s soothing style and dedication to conveying a sense of yearning and emotional depth. Boasting romantic lyrics and ambient production, the track arrives as Joeboy’s maiden song for the year.

‘Holiday’ by Rema

Rema’s ‘Holiday’, his first song of the year following the global hit ‘Calm Down’, is a playful and fun track that’s perfect for carefree summer days, and looks to further position him as indispensable in Afrobeats today.

‘Sability’ by Ayra Starr

Ayra Starr’s ‘Sability’, which samples Congolese vet Awilo Longomba’s classic ‘Coupé Bibamba’, is a happy, confident submission and a fail-safe invitation to the dance floor, which also casts the Mavin act as one on the cusp of true international acclaim.

‘Who Is Your Guy (Remix)’ by Spyro ft. Tiwa Savage

Spyro teams up with Afropop diva Tiwa Savage for the remix of his hit track ‘Who Is Your Guy?’, a fun record that emphasises and celebrates true friendship.

‘The One’ by Crayon and Yaba Buluku Boyz

The message in Crayon’s ‘The One’, a lovely fusion of Afrobeats and amapiano sounds, is simple: he is he One, and this is his time. In pop, this also translates to the wads of cash he can litter club floors with, and the sheer amount of champagne that must flow when he is around.

‘Jolie’ by Khaid

With a catchy, infectious energy, Khaid’s ‘Jolie’ is Afrobeats-inspired and discusses the thrill of new romance, which is a staple theme in African pop.

‘RTID (Rich Till I Die)’ by Kizz Daniel

On this record, Kizz Daniel celebrates ambition and success. With its catchy chorus and upbeat production, this song also works as an empowering anthem for anyone desiring to rise to the top and the determination to achieve financial freedom.

‘GWAGWALADA’ by Bnxn ft. Kizz Daniel and Seyi Vibez

Named after a location in Nigeria’s capital Abuja, ‘GWAGWALADA’ is a playful song highlighting youthful swagger and taking things easy. As the song stars three of Afrobeats’ most sought-after hook merchants, the record is an effortless earworm.

‘Party No Dey Stop’ by Adekunle Gold ft. Zinoleesky

On this new single, which also marks his arrival to Def Jam Africa, Adekunle Gold recruits fellow singer Zinoleesky in the ultimate party anthem, spotlighting his knack for some of the greatest Afrobeats melodies today.

‘Stamina’ by Tiwa Savage ft. Ayra Starr & Young Jonn

Tiwa Savage teams up with rising star Ayra Starr and producer-turned-singer Young Jonn to deliver the beautiful and suggestive ‘Stamina’, which, at the core of it, nestles between love and something vainer.

‘Alaska’ by Seyi Vibez

Seyi Vibez boast an ancestral courage that casts him in the role of both hero and villain. One thing is sure: his instant and direct charisma will not be ignored. ‘Alaska’ overflows with visual chants and melodies that make you think of epic movies.

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