NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Top SA hip hop songs of 2022

20 Apr 2022 - 10:51

cc-img flag-img

Hip hop is one of the most important musical cultures in South Africa. For well over three decades, the genre has encapsulated youth-led topics addressing socio-political and cultural issues. Due to its loquacious nature, hip hop has also played a pivotal role in criticising those in power and tabling an agenda for change in a country where millions of people face systemic challenges like unemployment and a lack of access to opportunities.

Nasty C, K.O, YoungstaCPT, 25K and J Molley.

Hip hop in South Africa emerged in Cape Town in the late ‘80s and ‘90s through crews like Prophets of Da City and Brasse Vannie Kaap, who used the Capetonian Afrikaans vernacular in a highly creative way to describe life in the Mother City and its surrounding townships. The genre then took over the rest of country with acts like Skwatta Kamp and HHP, among many others.

In the early and mid-2000s, SA hip hop entered its heyday with the motswako sub-genre and acts like Crowded Crew, Khuli Cana, Teargas and ProKid. Since then, the South African hip hop fraternity has produced arguably the biggest hip hop artists in Africa, including Cassper Nyovest, AKA, Sho Madjozi, Tumi, Nasty C, Gigi Lamayne, Riky Rick, Yugen Blakrok, YoungstaCPT, Emtee and A-Reece, to name a few.

Music In Africa brings you a playlist of the top South African hip hop tracks making their rounds in 2022. This playlist will be updated throughout the year, so make sure you bookmark it for your continuous listening pleasure.

Can’t Imagine by Nasty C

‘Can't Imagine’ is Nasty C’s second 2022 single following the success of ‘Stalling’ in February. CEDES produced the track under the Def Jam Recordings and Universal Music banners. This song demonstrates Nasty C’s lyrical prowess and his position as one of Africa’s best rappers.

TALK SiKK by Zoocci Coke Dope

‘TALK SiKK’ was produced and directed by CloutCassette and Pablo Morale, respectively. Zoocci Coke Dope is definitely one of the hottest hip hop artists South Africa has to offer at the moment, and the song is definitely a club and house party banger.

EMOYENI by K.O

The song was released ahead of K.O’s upcoming album Skhanda Republic 3. The mid-tempo track speaks about choosing to focus on the good vibes and ignoring the negativity. K.O says ‘Emoyeni’ aims to uplift people going through tough times.

Your All by Blxckie

The song was released in February and is off Blxckie’s six-track EP 4LUV. It was produced by London Rhodes.

Dreams Don’t Pay Bills by YoungstaCPT and Shaney Jay

‘Dreams Don’t Pay Bills’ is the first video and title track from YoungstaCPT and Shaney Jay’s collaboration project. The song was produced and written by Shaney Jay and YoungstaCPT, respectively. It was mastered by Kay Faith, with backing vocals and the music video courtesy of Jannah Beth and Illrow.

Trap Jumpin’ by 25K

‘Trap Jumpin’’ is the fourth track off 25K’s debut album Pheli Makaveli. The song chronicles the rapper’s upbringing, life story and musical journey.

Stalling by Nasty C

‘Stalling’ is a R&B-leaning record, which was released in February. From the track’s opening lines, it is evident that the rapper was taken aback by the romantic heartbreaks he has experienced in the past.

Mahala by AirDee

With the help of Touchline, Loki and DJ Capital, AirDee brings the trap groove to 'Mahala'. The record is off the album of the same name. As part of his effort to show his upbringing, the rapper shot some parts of the video in a rough neighbourhood.

The Confrontation by A-Reece and Jay Jody

‘The Confrontation’ was released in late 2021 and is a joint collaboration by A-Reece and Jay Jody. The song is off the duo’s 11-track album heaveN caN waiT: thE narroW dooR (vol. 1). It was produced by Lehlogonolo Mataboge and Thuso Modiselle.

Soaring by J Molley

‘Soaring’ was produced by Artemium while its video was produced and directed by Naverone Albers and J Molley, respectively. The song was mixed and mastered by BakerGotTheKeys.

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media