NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Top Zimdancehall songs of 2022

02 Aug 2022 - 10:17

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According to social media discussions, Zimdancehall is falling into oblivion just like urban grooves, which swept the country in the early 2000s. Nonetheless, the genre, which is popular in Zimbabwe’s high-density suburbs, continues to produce new talent, with the old guard – including, Winky DKiller T, Jah Signal, Enzo Ishall and Freeman – solidly booked for events throughout the year.

Killer T, Shashl, Blot and Freeman.

As part of the A-list of Zimdancehall musicians, Blot, Shashl and Ndunge Yut have joined the party with their tracks played at popular clubs and parties and on radio stations across the country.

Our Southern Africa desk has compiled a playlist of the most popular Zimdancehall songs of 2022.

Manyepo by Shashl ft. Nice Killer

This is a love song off Shashl’s Highway album. Produced by Levels, the song’s video was filmed in Harare’s dusty suburbs.

Ahoyi by Enzo Ishall

Ahoyi is a unique chant used to salute and show respect to people of high value – people with money and beautiful ladies. The track was produced by DJ Tamuka, who has worked with Jah Prayzah.

Usaite Iyoyo by Ndunge Yut and Blot

The song was inspired by popular Zimbabwean sayings dira rizare (pour until it’s full) and shiri inozongofa (the bird will eventually die), which have been trending on social media in 2022. The former phrase is about forgetting your sorrows, especially political woes in the country, through alcohol, and the latter means that all good things come to an end – including the reign of corrupt politicians.

Unonzani by Tocky Vibes

Featuring a video directed by Bezaleel Mhako, the love song was produced by Levels. The track was dropped after Tocky Vibes releasedMhosva Yangu’ in early 2022.

Usabvume by Jah Signal

Known for his superhuman leaps during performances, Jah Signal’s ‘Usabvume’ is a petition to a lover to reject sexual advances from other men. This video features beautiful dances and humorous moments between two lovers.

Hakete by Killer T

‘Hakete’ is off Killer T’s Inzwai Kuchemawo Mambo album. The video for the song depicts the singer’s experiences to date, starting with dancers sporting Afros and flared pants and then changing to contemporary fashion.

In My Heart by Shashl ft. Enzo Ishall

This love song was produced and written by Levels and Enzo Ishall, respectively. The video was shot by SAP and is from the Highway album, which has cemented Shashl’s place in the Zimdancehall scene.

Shiri Inozongofa by Killer T

Like ‘Usaite Iyoyo’, this song draws inspiration from the popular social media phrases and dira rizare and shiri inozongofa (see ‘Usaite Iyoyo’ by Ndunge Yut and Blot). With powerful beats and a dash of rap, Killer T demonstrates his lyrical prowess on this composition.

Robbery by Freeman

This song is about love and how some are willing to rob others in order to protect their loved ones. Produced, mixed and mastered by Cymplex, the track is off the album of the same title.

Ukandiudza by Killer T

The track is off Killer T’s Inzwai Kuchemawo Mambo album. It tells the story of a person who cheats on his partner, while their significant other is invested in the relationship.

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