NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Tumaini Festival builds hope and understanding through music

09 Nov 2015 - 10:35

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Around the world, issues of migration, displacement and refugees are becoming increasingly important. The Tumaini Festival is a unique community music festival held in Dzaleka Refugee Camp in Dowa, Malawi. It aims to promote collaboration and hope through music. The second edition of the event takes place on Saturday 14 November from 9am to 5pm.

A scene from the 2014 Tumaini Festival. Photo: Facebook

Organised by the Dzaleka Cultural Association (DCA), Tumaini (a Swahili word meaning ‘hope’) is a free festival that showcases local music, traditional dance and poetry.

Dzaleka refugee camp was established by the United Nations High Commissioner for Refugees (UNHCR) in 1994 in response to a wave of forcibly displaced people fleeing genocide, violence and wars in Burundi, Rwanda and the DRC. Prior to becoming a refugee camp, the Dzaleka facility had served as a political prison. In recent years the camp’s population has swelled to 20 000 refugees and asylum seekers, mainly from the DRC, Rwanda and Burundi, with a small number of people from Somalia, Ethiopia and South Sudan. Many of them spent years in other refugee camps in the DRC, Zambia and Tanzania before arriving in Dzaleka. Some have lived their entire lives in UN refugee camps. Others are merely passing through, on their way to countries like South Africa to rebuild their lives. Located less than 50km from Lilongwe, Malawi’s capital, Dzaleka is the only camp of its kind in Malawi.

The Dzaleka Cultural Association was established by Congolese slam poet, hip-hop artist and writer Menes La Plume, himself a refugee at the camp. It has set up for various initiatives in the camp, such as creative writing classes and the Tumaini Festival, which was first held in 2014, thanks in part to an ambitious crowdfunding campaign that saw 33 backers pledged £1180 (US$1820) to help bring this project to life. It also has the support of Lake of Stars, the biggest annual music festival in Malawi. The inaugural event on 22 November 2014 was a big success, drawing over 3000 people attend with music and art from over seven countries in the region, including DRC and Rwanda.

In an interview with local newspaper The Times in June this year, organiser Menes la Plume explained: “Tumaini Festival is an idea that came in mind after observing that refugees are not really understood in Malawi - they are called ‘Maburundi’. To promote better understanding, I came up with this festival and I want through this platform for everyone to go visit the refugee camp and meet refugees, appreciate their creativity and interact.”

“We will have the main stage and another stage, as well as a space for children. The festival will bring artists from all corners of Malawi. This will really be a Malawi celebration in the United Nations of Dzaleka,” added the poet.

Artists on the bill this year include local stars George Kalukusha, Young Chilaga, Lily Banda, Adrian Kwelepeta and Faith Mussa, along with Deogracias Namiva (Mozambique) and many more, including organiser Menes La Plume (DRC), who is promoting the release of his debut album Far From Home with a tour of the country.

Watch highlights from last year’s festival in the video below:

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