NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Uganda: Nyege Nyege line-up confirmed

16 May 2017 - 11:27

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Nyege Nyege International Music Festival returns to Jinja, Uganda, from 1 to 3 September 2017. Launched in 2015, the festival brings a unique fusion of international and local African sounds to the idyllic venue Nile Discovery Beach.

Cameroonian singer Reniss will be playing at Nyege Nyege.  Photo: Facebook/GPS

The Nyege Nyege 2017 line-up is out. Cameroonian superstar Reniss, who has taken over the continent with her hit ‘La Sauce’, will appear for the first time in East Africa alongside rapper Jovi. Ghanaian DJ/producer Gafacci will also make his regional debut as Jowaa, representing cutting-edge African electronic music. This year’s festival will also be the East African premiere for South African Gqom pioneers Cruel Boyz.

Lisbon’s batida king DJ NK, Italian percussive performance artists Ninos Du Brasil, Germany’s Harmonious Thelonious, Ireland ‘outernationalist’ Peter Power and Holland's dancefloor legend DJ Marcelle will all make their first appearances in Africa, while Sisso Records will give Uganda its first taste of the 170bpm singeli music.

The Arts Council (UK) and NTS Radio, an influential online platform for new and old music, will curate a special stage on the festival’s first night with British DJs Moxie, AG, Anu and Skinny Macho.

Many of the international acts will be in Kampala for a month ahead of the festival to collaborate with Ugandan musicians and prepare performances for this year’s edition. The 2017 edition places special emphasis on the rich diversity of Ugandan traditional music with 13 performance troupes from different regions including the Domadana Kadodi Performers and Ennanga Vision, a collaboration with Owiny Sigoma’s Jesse Hackett and Buganda Cultural Ensemble’s Albert Ssempeke.

Nyege Nyege 2017 is supported by Boutiq Foundation, Talent Africa, NTS Radio, Resident Advisor, East African Breweries and Nyege Nyege Tapes. Artists have also agreed to participate in the festival for an honorarium.

Spearheaded by artistic directors Arlen Dilsizian and Derek Debru, Nyege Nyege International Music Festival is organised and curated by the Boutiq Foundation, a community-based organisation in Kampala, Uganda, that aims to develop the local arts and culture industry by creating platforms and opportunities for upcoming artists. The festival aims to connect underground musicians from Africa with one another and with producers and musicians working on African music outside the continent.

The 2016 edition saw more than 200 local and international artists take to the stage in front of 3 000 festivalgoers, and attracted a global audience thanks to its unique presentation of African music. In previous years the festival has served as the East African debut for kuduro pioneer DJ Marfox, satirical Ghanaian rappers FOKN Bois, Scottish sound system Mungo’s Hi-Fi, Niger-based synth pioneer Mamman Sani, South African house producer Aero Manyelo, Burkinabe rapper Joey Le Soldat, North African electronic music collective Arabstazy, Senegalese electronic producer Ibaaku and Mozambican-Ghanaian duo Gato Preto.

Early bird tickets for this year’s 72-hour celebration will be available to purchase online at www.nyegenyege.com for 100 000 Ugandan shillings ($30) from 15 May.

For more information contact the festival organisers Derek Debru or Arlen Dilsizian on [email protected] or head to www.nyegenyege.com.

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