NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Wande Coal delights Trace Live audience in Lagos

23 May 2019 - 10:45

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On the night of 22 May, Afropop artist Wande Coal became the latest artist to grace the Trace Live stage in Lagos.

Wande Coal was hosted by Trace Live.

The concert series, which began in 2017, is a partnership between media enterprise Trace, Cabal Entertainment and BAP Productions. It first hosted singer Omawumi, who showcased her then-new album Timeless to a hall of entertainment stakeholders.

It has since hosted such acts as Falz, 2Baba, Adekunle Gold and Flavour. Last year, an event with Mr Eazi was cancelled at the last minute.

While some artists have used the opportunity of the live concert as publicity for a forthcoming project, Wande Coal decided to give his audience a walk down memory lane, performing hit after hit in what has been one of the most celebrated careers in Nigerian contemporary pop history.

Wearing a lemon-green hoodie over tight red pants, King Coal, as he was described by the event’s organisers, began his set with the single ‘You Bad’, one of the singles from his era-defining debut album Mushin2Mohits. The night would see him sing more songs from that album, including ‘Bumper to Bumper’ and ‘Who Born the Maga’, and hardly any of the main tracks from his sophomore album, Wanted. Each song drew excited shouts from the crowd gathered at Terra Kulture.

Part of the crowd included pop acts DJ Spinall, Reekado Banks, Skiibi and Lynxx. But it was Orezi who received several shout outs from the night's star. Both knew each other at the University of Lagos.

Coal's performance was interspersed with accounts of his school days and his first moves towards a career. He told the audience about his penchant for singing the opening cry from Usher’s ‘U Got It Bad’ back as an undergrad. He had done it so much that on a certain day, following a power outage, girls in the area began to mimic his daily recreation of the song. He laughed at the memory. “Shi was crazy,” he said.

His career as a singer began around the time he dropped out of school. He was introduced to the famous producer Don Jazzy and did a song for him.

“Is that the only song you have,” he was asked.

After receiving the producer’s blessings, he was invited taken to the US embassy to apply for a visa for his first trip to the west. Seeing how young the applicant was, the officer advised him to finish school, not knowing he had dropped out. Wande Coal panicked, reached out to his then label-mate D’Banj and began to sing.

“Excuse me,” the officer cut in. “We don’t sing at the embassy but, wow, imma give you this visa.”

Upon getting to the US, he went on his knees thanking for Don Jazzy.

“D’banj laugh me,” he said.

The night proceeded with such anecdotes stashed between songs like ‘My Way’, ‘Gentility’, ‘Wonderful’ and ‘Turkey Nla’. It ended with a rendition of ‘So Mi So’, Wande Coal's 2018 hit with Ghanaian producer Juls.

The event's organisers are yet to announce the next artist for the Trace Live showcase.

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