NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Why catch a vibe with Funbi?

07 Dec 2017 - 15:09

cc-img flag-img

For those familiar with the singer’s work, publicity for the Catch a Vibe with Funbi concert automatically elicited the question, “Why does Funbi have his own show?”

Funbi headlined the first Catch a Vibe concert at Freedom Park, Lagos.

The question was answered last night at the amphitheatre in Freedom Park, Lagos.

The band for the night lugged their instruments into Freedom park around 6pm, the announced time for the concert gates to open. The band members spent some time rehearsing. The show didn’t start until a few minutes past 8pm, and by that time the amphitheatre was filled with guests, many of whom appeared to be coming straight from work.

The show was opened by performances from Jamal Swisss, Mitch Straaw, Deena Ade, Joyce Olong and Remi Baggins. Of the five, three gave the generous audience something to properly cheer. Straaw’s voice has the kind of character bound to enchant audiences someday; Ade sings with a folksy drawl similar to Sylvan Esso’s Amelia Meath; and Olong’s songwriting is already fully formed, as earnest on war as it is on the intimacies of romance.

There were long, awkward pauses in between sets, which the hosts tried to fill with humour. “You can tell we’re trying to waste time,” one said. “Just indulge me.”

Funbi eventually climbed the stage dressed in a white and black shirt, black slacks and brown dress shoes. He opened with a brief rendition of the chorus to King Wasiu Ayinde’s ‘Show Colour’ and dovetailed into an original that plays on the same theme the Fuji artist explored. “You don’t need to show your colour ki n to damo,” he sang, voice cutting through the latent sound of a typical Lagos evening spilling into the open-air venue from Broad Street.

Born and raised in Ilorin, Funbi made his name recording R&B covers, an activity that requires a decent voice, even in a musical culture that doesn’t require this of its singers. He was also part of The Collectiv3, a super group of alternative acts whose 2015 eponymous album remains one of the most inventive to come out of Nigeria in the past decade. ‘Forbidden fruit’, Funbi’s second song of the night, was from that album. He ended the first solo part of his set with a rendition of Wande Coal’s ‘Ololufe’, a fitting tribute to Nigerian pop’s premier male vocalist.

Rapper Chyn joined Funbi to perform his song ‘Find You’, and the short length of his microphone restricted his movement in ways that kept the spotlight on Funbi. Featured artist became front man—at lease for one night.

Funbi was eventually joined by fellow members of the Collectiv3: Nsikak on the acoustic guitar and Poe. With Poe, he performed ‘Adore Her’ from The Collectiv3 LP. While they moved on stage, an interloping juggler appeared in front of the crowd with bottles and a tray, ready to put on a show.

“This guy is stealing our shine,” said Poe, with a smile. The juggler was eventually led away from the stage as Poe and Funbi sang the yet-to-be-released single ‘Turn me Around’.

Show Dem Camp joined Funbi for a performance of ‘Up to You’ from their Palm Wine Music EP. The Show Dem Camp duo, Tec and Ghost, members, too, of The Collectiv3 and arguably the most accomplished of the group, performed with their usual bravura. They called Boj and Poe to join them for a rendition of the hit song ‘Feel Alright’ before leaving to applause. This sequence of performances represented the most anticipated part of the night, but most of the guests had departed. For an event occurring on a week night, Catch a Vibe with Funbi started too late.

Funbi came onstage one more time for a performance of the most definitive answer to why he deserves his own show. He sang a verse and chorus of Leonard Cohen’s ‘Halleujah’, which hyped up the crowd just enough for his performance of his own song of the same title.

Funbi sang with confidence and ease throughout. His oeuvre is yet too thin for a fully realised concert, but he has the charm and voice of a star. He also has an ear for the right collaborations and moves in the company of artists like Show Dem Camp who seem devoted to quality. These are some of the other reasons attending a show headlined by Funbi is worth it. But how satisfied you are with that answer depends on how patient you are with Nigerian lateness.

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media