NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Wizkid and Damian Marley talk music, spirituality and heritage 

19 Oct 2021 - 12:11

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Nigerian Afrobeats star Wizkid and Jamaica’s Damian Marley have been featured in an interview by US magazine Rolling Stone, in which they discussed myriad of issues including spirituality, heritage and fatherhood. 

Wizkid and Damian Marley.

The chat, which was published on Monday, forms part of the publication’s recurring series called Musicians on Musicians, which serves as an interface for artists to discuss their lives and works.

The conversation started out with both artists, whose ‘Blessed’ collaboration appears on Wizkid’s 2020 album Made in Lagos, recounting how they became aware of each other and got to recording the track. Wizkid noted that he was heavily influenced by Damian Marley and his father Bob Marley while growing up in Lagos. On his part, Damian Marley said he first encountered Wizkid at a New York City hotel and that he was drawn to the ‘Essence’ singer’s melodies.

“I was on tour,” Marley said about how ‘Blessed’ came about. “Both of us had gigs out in London. One night after one of the concerts, we all went to the studio, got together, and Wiz played a bunch of beats for me. That was the one that grabbed my attention the most. We started writing the song in the studio, together, just feeling the vibe.”

Wizkid said: “From the first time I heard [Marley’s vocals] in the studio, I just went mad. I couldn’t believe it. It was like magic right before my eyes. If I’m being very honest with you, that was one of the most amazing sessions I’ve ever been in, for real.”

The conversation also sees the musicians divulge a shared admiration for each other’s roots and their common heritage. Recounting his first trip to Jamaica, Wizkid noted similarities between the Caribbean country and his native Nigeria. “Yo, this is like us,” he said. “It’s the same thing. When I went to Jamaica for the first time, it was everything that I thought it would be and more. It’s an amazing place, the most beautiful place, amazing food, great people.”

Marley said: “For me, we grew up hearing about Africa – Nigeria, Ethiopia all these places – it is almost like a dream. You’re hearing about this far-off place until you end up going there, until you end up meeting people from there. Then it becomes more real. Rastafari is heavily embedded in African culture and is very proud of our African roots.”

Other subjects discussed in the feature include lessons from fatherhood – Wizkid as a father of three and Marley of one. The artists also touched on the impact of COVID-19 on their lives, including inspiring new music and a renewed sense of gratitude for loved ones.

Wizkid and Damian Marley’s Musicians on Musicians appearance arrives on the heels of Wizkid’s recent tour of the US in support of Made in Lagos. He is also enjoying renewed global acclaim for ‘Essence’, also off the same LP. Likely the biggest record from Nigeria this year, ‘Essence’ has in recent months enjoyed renewed global success, becoming the No 1 song in the US on Shazam and topping Billboard’s R&B/Hip-Hop Airplay chart in late 2020. A remix of the track featuring Justin Bieber was released in August.

Previous Musicians on Musicians guests include US stars Alicia Keys and Kehlani, Lil Wayne and Lil Baby as well as Erykah Badu and Summer Walker.

Read the full interview here.

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