NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Wizkid scores two more MOBO Awards

06 Dec 2021 - 10:09

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Afrobeats star Wizkid won the Best International Act and Best African Act trophies at this year’s Music of Black Origin (MOBO) Awards at Coventry Building Society Arena in the UK on 5 December.

Wizkid. Photo: Kymages

The MOBO Awards have been celebrating artists in hip hop, grime, R&B, soul, reggae, jazz, gospel and African music since 1996. This year, they were expanded to include two new categories: Best Media Personality and Best Performance in a TV Show/Film.

This is Wizkid’s fourth victory in the Best African Act category after winning it in 2011, 2016 and 2020. On Sunday, the ‘Essence’ star beat off competition from fellow Nigerians Burna Boy, Ayra Starr, CKay, Davido, Rema, Tems and Tiwa Savage as well as Ghanaian singer King Promise and UK-based Afro-swing collective NSG Music. The victory comes on the heels of Wizkid’s recent announcement as Artist of the Year for Africa at the third annual Apple Music Awards. He also won the Best African Act Award at the 2021 MTV Europe Music Awards on 14 November.

His MOBO Best African Act triumph was announced by reality TV star Kaz Kamwi and broadcaster DJ Abrantee, who is credited with coining the term ‘Afrobeats’, the genre that Wizkid is mostly associated with. “African music, like the continent it originates from, is rich and full of character,” Kamwi, who accepted the award on Wizkid’s behalf, said. “Once an unfamiliar sound in an unfamiliar place, the music now packs out arenas and enlightens people from across the country and the world. Everyone wants the Afro sound.”

Wizkid edged Rema, Skillibeng, Drake, Doja Cat, Kanye West, Lil Nas X, Megan Thee Stallion, Polo G and Young Stoner Life to take home the Best International Act Award, which he also won in 2017.

Elsewhere, British-Nigerian rapper Dave took home the coveted Album of the Year Award for his sophomore offering We’re All Alone in This Together, while Little Simz, who is also of Nigerian descent, was named Best Female Act.

Wizkid is up for the Best Global Music Album Award and the newly introduced Best Global Music Performance Award at the 2022 Grammys, which will take place on 31 January.

Below is the full list of 2021 MOBO winners:

Best International Act

  • Doja Cat
  • Drake
  • Kanye West
  • Lil Nas X
  • Megan Thee Stallion
  • Polo G
  • Rema
  • Skillibeng
  • Wizkid
  • Young Stoner Life (Young Thug & Gunna)

Best African Act

  • Ayra Starr
  • Burna Boy
  • Ckay
  • Davido
  • King Promise
  • NSG
  • Rema
  • Tems
  • Tiwa Savage
  • Wizkid

Best Male Act

  • AJ Tracey
  • Central Cee
  • Dave
  • Ghetts
  • Headie One
  • Potter Payper

Best Female Act

  • Arlo Parks
  • Bree Runway
  • Cleo Sol
  • Little Simz
  • Shaybo
  • Tiana Major9

Album of the Year

  • Collapsed in Sunbeams by Arlo Parks
  • Not Your Muse by Celeste
  • Mother by Cleo Sol
  • We’re All Alone in This Together by Dave
  • Conflict of Interest by Ghetts
  • Edna by Headie One

Song of the Year

  • ‘Latest Trends’ by A1 x J1
  • ‘Commitment Issues’ by Central Cee
  • ‘Clash’ by Dave ft. Stormzy
  • ‘Peng Black Girls’ by Enny ft. Amia Brave
  • ‘My Family’ by Pa Salieu ft. BackRoad Gee
  • ‘Body (Remix)’ by Tion Wayne & Russ Millions ft. ArrDee, Bugzy Malone, Buni, Darkoo, E1, ZT & Fivio Foreign

Best Newcomer

  • Arlo Parks
  • ArrDee
  • BackRoad Gee
  • Berwyn
  • Central Cee
  • Enny
  • Joy Crookes
  • Midas the Jagaban
  • PinkPantheress
  • Wes Nelson

Video of the Year

  • ‘Hot Hot’ by Bree Runway
  • ‘Money Talks’ by Fredo ft. Dave
  • ‘Woman’ by Little Simz ft. Cleo Sol
  • ‘Lagga’ by M1llionz
  • ‘My Family’ by Pa Salieu ft. BackRoad Gee
  • ‘Mazza’ by Slowthai ft. A$AP Rocky

Best R&B/Soul Act

  • Bellah
  • Cleo Sol
  • Jorja Smith
  • Sault
  • Tiana Major9
  • Wstrn

Best Grime Act

  • Bugzy Malone
  • Chip
  • D Double E
  • Frisco
  • Ghetts
  • Skepta

Best Hip Hop Act

  • Dave
  • D-Block Europe
  • Fredo
  • Little Simz
  • Potter Payper
  • Slowthai

Best Drill Act

  • Central Cee
  • Digga D
  • Headie One
  • K Trap
  • Loski
  • M1llionz
  • Russ Millions
  • SR
  • Tion Wayne
  • Unknown T

Best Performance in a TV Show/Film

  • Ashley Thomas – Them
  • Damson Idris – Snowfall
  • Daniel Kaluuya – Judas & the Black Messiah
  • Letitia Wright – Small Axe
  • Micheal Ward – Small Axe

Best Media Personality

  • Charlene White
  • Chunkz & Yung Filly
  • Harry Pinero
  • Henrie Kwushue
  • Julie Adenuga
  • Maya Jama
  • Mo Gilligan
  • Munya Chawawa
  • Nella Rose
  • Zeze Millz

Best Gospel Act

  • CalledOut Music
  • Cece Winans
  • Guvna B
  • Kirk Franklin
  • Maverick City Music
  • SO

Best Reggae Act

  • Lila Ike
  • Popcaan
  • Sean Paul
  • Shenseea
  • Skillibeng
  • Spice

Best Jazz Act

  • Alfa Mist
  • Blue Lab Beats
  • Emma-Jean Thackray
  • Jacob Collier
  • Nubiyan Twist
  • Sons of Kemet

Best Producer

  • Gotcha
  • Jae5
  • Juls
  • M1OnTheBeat
  • P2J
  • TSB

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