NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

World Choir Games interviews André van der Merwe

15 Nov 2017 - 08:26

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Preparations for the 2018 edition of World Choir Games (WCG) are at an advanced stage and choirs have until 1 December to register. The event, which is now in its 10th edition, will be held in Pretoria, South Africa from 4 to 14 July 2018.

Stellenbosch University choir conductor André van der Merwe said none of his choirs are competing.

WCG organisers caught up with Stellenbosch University choir conductor and acting chairman of the National Artistic Committee in South Africa, André van der Merwe, who shared some of his expectations and ideas about the event.

The WCG 2018 will take place in your home country. How will this affect your personal plans for 2018?

Since I’m involved in the artistic committee it means that none of my choirs will compete. But I think it’s a fantastic idea that my choirs have been competing for quite a long time so in my own home country I think it’s good if my choirs are involved in a non-competitive way and we will probably sing in a celebration concert or be part of the festival chorus at the closing ceremony. So it’s a different angle for me which is actually cool. There is no stress this time.

How did Stellenbosch University Choir react to news that they will not be competing?

They are fine with it because my choirs don’t only work to compete; the most important thing is that we make music together and you don’t need a competition for that.

Many of my choir members will be involved as guides and working with INTERKULTUR. So it’s a new perspective for us and we would like to welcome singers from all over the world to our country.

How will the South African edition of the World Choir Games be different from previous World Choir Games?

You know it is different every time just because of the cultural event, if you think about the last three: First in Cincinnati(US), Second in Riga (Latvia) and then in Sochi (Russia). Each host country brought a different cultural flavour. South Africa has eleven official languages and colourful traditions. I hope the colourful traditions will be interesting for the world and we are a singing nation like Latvia. Many township choirs, many people who can’t travel abroad, I think, will be very surprised to see what a strong singing tradition we have. Many choirs could not travel overseas before, so for me it’s exciting to know that these fantastic choirs will experience this international event. If it wasn’t in South Africa, they would never experience it.

What’s your personal recommendation to get a once-in-a-lifetime moment at the World Choir Games in South Africa?

I think choirs must just take a leap of faith because the media is quite negative. We hear that South Africa is unsafe, but like anywhere in the world it’s a small part of a country or a city, and where the World Choir Games will be hosted will be very safe. I will be very proud to show a positive image of South Africa.

I think I’ve said before: People will be surprised at how effectively we can arrange this and we also have a brand-new stadium that is finished this year, which will host one of the first World Choir Games events, it’s a beautiful venue.

People visiting South Africa for the first time have stereotypes about excessive heat, wild animals and no music without drums. What awaits them?

I think besides the typical South African flavour like we mentioned, the drumming, will be there. South African dancing will be there. The gumboots will be there. But we are much more than that.

We are also a modern country. We are one of the youngest countries in the world. Our contemporary choral singing is sometimes better than the traditional music. I think that will be interesting for most international choirs to experience the modern side of South Africa which most people are not aware of. But we hope to have a few animals on stage as well. We must keep true to that flavour.

What about the heat? We had a lot of hot World Choir Games in the past.

It will be winter in Pretoria when the World Choir Games are hosted but our winter is mild compared to other regions. The coldest they will get is 14 or 15 degrees and no rain. So I think it’s actually good for singers – a little bit cooler is better than too hot for any singer.

Which World Choir Games performance do you not fail to attend?

Oh, I don’t even have to think twice, it’s the opening ceremony, for two reasons: All of a sudden you and your choir have worked so hard to compete, and then you sit in the stadium with literally thousands of people from all over the world so you very quickly realise this is going to be very unique. It is the biggest choral event on the planet. The second reason, of course, is to see what the host country will bring to this opening ceremony. It’s always so colourful, you understand the culture even better, and you realise that you are part of this unique international event. And it’s the most exciting.

And how many opening ceremonies have you seen at previous World Choir Games already?

I think basically all of them, I never miss it. I’m lucky that I did it and I learned a lot. I know what the previous host cities have done; so I know how to think, how to fit our opening ceremony into this; so that we give something fresh without losing the tradition of the previous ones. It’s important to me.

Will you be personally involved in organising the opening next time?

Yes, we’ve already started thinking about the opening ceremony, to show the world how choral singing has developed; starting with the Khoisan people who had a primitive, chant-like singing and dancing and how the West influenced their traditional music. I think it’s very interesting and many people don’t know how this has developed. So I’m very excited to share the South African choral history with the rest of the world.

What can South African choirs look forward to when they meet the internationals?

I think two things, and I mentioned this before, I just want to repeat it: Many good choirs in my country do not have money to ever travel abroad. The World Choir Games will have an important educational value where they will be able to meet adjudicators and choral conductors from all over the world. If it wasn’t for the World Choir Games they would never get the opportunity.

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This article first appeared on the INTERKULTUR website on 09 November 2017.

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