NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Zimbabwe’s HIFA kicks off with Classical Music Weekend

21 Apr 2016 - 08:34

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The new-look Harare International Festival of the Arts (HIFA) in Zimbabwe begins its 2016 programme with a Classical Music Weekend between Friday 29 April and Sunday 1 May.

Coda Africa will perform at the upcoming CABS Classical Music Weekend in Harare.

The festival’s traditional six-day programme has been replaced this year by various activities spread throughout the course of the year, dubbed Next Level.

Sponsored by local bank CABS, the upcoming Classical Music Weekend promises to be a celebration of classical music’s universal influence. This unprecedented event is an invitation to luxuriate in many classical concerts and also to hear groups that fuse it with other genres. If you’ve ever felt that classical music is not for you, that it’s boring or too exclusive, these three days of performances and hanging out will surely change your mind.

The beautiful grounds and halls at St George’s College in Harare offer various venues for the weekend’s festivities. Visitors can spend all day reveling in concert programmes and expanding their mind and skills in workshops. There will also be many delicious food and bar outlets, as well as a sizeable craft market offering work by many of Zimbabwe’s most talented artists. A new mural will be painted on site over the three days by the talented local graffiti artist Arthur G. Byers.

Friday 29 April will see performances by the Prince Edward Marimba Band, the Zimspiration Choir, the Heuglin Tenors (presented by Zimbabwean soprano Lorna Kelly) and exciting fusion band Coda Africa, who feature an electric string duo of violin and cello, a rock saxophone, a powerful vocalist and Zimbabwean house DJ. Their performances embrace genres from classically-inspired ballads to electro-swing, dubstep, reggae and hip-hop. Friday's performances will be interspersed with workshops with the Baroque 2000 string orchestra (founded by members of KwaZulu-Natal Philharmonic in South Africa), mezzo-soprano Bongiwe Makani and American Gerald Steichin.

Saturday 30 April will see performances by the Prince Edward Jazz Band, acclaimed Zimbabwean pianist Jeanette Micklem and other members of the Harare Philharmonic Orchestra (conducted by Roz Whaley), as well as a special Opera Gala featuring Bongiwe Nakani, Marco Titus, Martin Mkhize and Nozuko Teto, accompanied by Baroque 2000 and Zimspiration - not to mention workshops with the HIFA management team and local DJ Jason Le Roux.

The weekend ends on Sunday with a special Mass in the St George’s Chapel with the Zimspiration choir, directed by Kundisai Mtero, an uplifting way to start the day’s events, which will also see performances by Turkish-Zimbabwean pianist Eren Levendoglu, Spanish guitarist Rafael Serrallet and Urban Strings from South Africa, fronted by vocalist and violinist Larah Eksteen, as well as another workshop and performance from Baroque 2000.

Each day ends with an electronic music event, infused with classical music textures, hosted by the Hidden Culture DJs Ryan Synth, Bhana and Jason Le Roux.

Tickets are on sale from Avondale Shopping Centre from 19 April and at St George’s College from 27 April. Prices vary depending on the event, from free outdoor concerts to $15 for some of the headline acts. Workshop tickets can only be bought at the door of each workshop. Day passes allow you to attend everything happening on the day without needing individual tickets and cost $35 for Friday and Saturday and $40 for Sunday. For a truly immersive musical experience, classical lovers can buy a three-day pass for $100.

For the full programme of events, download the attached pdf. For more details visit the HIFA Facebook page.

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