NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Zim’s Thomas Mapfumo heading back home

23 Jan 2018 - 13:05

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Self-exiled chimurenga musician Thomas Mapfumo will be performing in Harare, Zimbabwe, on 28 April. This will be his first performance in the country since he fled for the US in 2005.

Thomas Mapfumo would be joined by at least 13 band members onstage.

Mapfumo, whose music criticised former president Robert Mugabe’s leadership style, became a target of government harassment but he maintained his stance of condemning the long-time leader.

“On behalf of Thomas Mapfumo & the Blacks Unlimited band and Chimurenga Music Company I wish to officially announce that Dr Thomas Tafirenyika ‘Mukanya’ Mapfumo will be performing in Zimbabwe on 28 April 2018 in Harare,” his publicist, Blessing Ivan Vava, said. “We are excited that Mukanya will be performing in Zimbabwe after more than a decade's absence.”

In a video that has gone viral on social media, the veteran musician asked his fans to reconnect with him.

“Hello Zimbabweans, it’s me Thomas ‘Mukanya’ Mapfumo. I hereby notify you that on 28 April 2018 I will be performing live in concert at the Glamis Arena showgrounds together with the Blacks Unlimited. Friends and relatives, please come in large numbers so we can see and greet each other, as this has been a long time.”

Vava told Music In Africa that Mapfumo’s return was expected to lure a big audience.

“It will be a full house. Mukanya is in his own class and is undoubtedly the most consistent and most polished performer Zimbabwe has ever had,” Vava said.

“The old and the new generation cannot wait for this show. We are expecting a bumper crowd. Seeing is believing and doubters should come see for themselves.”

Vava said the ‘Corruption’ hitmaker would be joined by at least 13 band members onstage. He also hinted that the majority of them would be fellow exiled musicians who left Zimbabwe alongside Mapfumo.

Mapfumo’s return is not surprising considering the political developments that took place in Zimbabwe last November, when Mugabe was removed in a de facto military coup after 37 years in power.

Asked if Mapfumo’s return was influenced by a change in Zimbabwean power dynamics, Vava said: “Mukanya is a musician and his work is not just confined to Zimbabwe but anywhere in the world, much like the many Zimbabweans scattered all over the globe. One day they will return home and this is exactly what Mukanya is doing, so it’s not a strange affair. He is just coming back home.”

It remains to be seen whether Mapfumo is still the darling of Zimbabweans. Traditional music in the country faces an uncertain future, as most young people spurn it in favour of contemporary genres such as Zimdancehall and younger stars like Jah Prayzah.

“As far as we are concerned we have a different niche,” Vava said. “Chimurenga music lives on. It is the past, the present and the future, and indeed Mukanya has endeared himself as the torchbearer of the genre. I’m happy that his music inspired youngsters like Jah Prayzah, who I must say has learnt well and has done very well. The future is bright for him as the elders exit the stage. When they look back they smile that the younger generations are carrying the torch forth.”

Meanwhile, Chimurenga Music Company has joined millions of music lovers in mourning South African trumpeter, composer and singer Hugh Masekela who died in Johannesburg this morning after battling prostate cancer for some time.

"The death of Hugh Masekela, who was fondly known as Bra Hugh, has robbed South Africa and indeed the world of one of the most influential musicians of our time," reads a statement.

"Through music, Bra Hugh played an important role in the struggle for liberation and social emancipation. It is very crucial for the arts industry, in memory of Bra Hugh, to deepen the struggle for social and economic justice and advance the African revolution.

"Bra Hugh was a personal friend to Dr Thomas Mapfumo. They shared the stage several times in several countries, and their last interaction being in 2015, where they performed at the Mapungugwe Arts Festival with another departed icon, Ray Phiri."

"It is our hope that the young generation of musicians will carry on the journey and continue from were Bra Hugh left. We send our heartfelt condolences to his family, colleagues, friends and the entire music industry."

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