NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

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Soweto Gospel Choir wins third Grammy

Home/Non classé/Soweto Gospel Choir wins third Grammy

The South African gospel group competed in a category dominated by African musicians including Bombino (Niger), Fatoumata Diawara (Mali) and Seun Kuti & Egypt 80 (Nigeria). The only other non-African nominee was Psoy Korolenko’s Yiddish Glory (Russia).

The Grammy was accepted by Freedom producer Diniloxolo Jiyane as well as Soweto Gospel Choir members Mary Mulovhedzi and Mulalo Mulovhedzi.  

The award marks the group’s fifth nomination and third win at the Grammys. In 2007, when the World Award was split into the Best Traditional World Music Album and Best Contemporary World Music Album categories, the Soweto Gospel Choir won a Grammy in the former for Blessed, and again a year later for African Spirit.

“Congratulations to the Soweto Gospel Choir for being awarded the Best World Music album for ‘Freedom’ at the #GRAMMYs,” South African President Cyril Ramaphosa wrote on Twitter. “This is the choir’s third Grammy award and we thank them for telling our story to the world and flying the flag high.”

Freedom was recorded in June 2018 as part of the 100 Years of Nelson Mandela celebrations. It features a selection of South African struggle songs including a version of Johnny Clegg‘s ‘Asimbonanga’

This year’s Grammys also saw Kacey Musgraves triumph in the Album of the Year category, while Childish Gambino took home the Record of the Year Award. English singer Dua Lipa won the Best New Artist accolade. Cardi B’s Invasion of Privacy took the Best Rap Album Award. Other winners include Drake, Kacey Musgraves, Lady Gaga & Bradley Cooper, Ariana Grande and Willie Nelson.

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Below is a partial list of the 2019 Grammy winners:

Best World Music Album

  • Soweto Gospel Choir – Freedom 
  • Bombino – Deran
  • Fatoumata Diawara – Fenfo
  • Seun Kuti & Egypt 80 – Black Times
  • Yiddish Glory – The Lost Songs of World War II

Album of the year

  • Kacey Musgraves – Golden Hour 
  • H.E.R. – H.E.R.
  • Brandie Carlile – By the Way, I Forgive You
  • Drake – Scorpion
  • Various Artists – Black Panther: The Album
  • Post Malone – Beerbongs & Bentleys
  • Cardi B – Invasion of Privacy
  • Janelle Monáe – Dirty Computer 

Record of the Year

  • Childish Gambino – ‘This Is America’ 
  • Cardi B – ‘I Like It’
  • Brandi Carlile – ‘The Joke’
  • Lady Gaga and Bradley Cooper – ‘Shallow’
  • Drake – ‘God’s Plan’
  • Kendrick Lamar & SZA – ‘All the Stars’
  • Post Malone & 21 Savage – ‘Rockstar’
  • Zedd & Maren Morris – ‘The Middle’

Song of the Year

  • Childish Gambino – ‘This Is America’ 
  • Kendrick Lamar & SZA – ‘All the Stars’
  • Ella Mai – ‘Boo’d Up’
  • Drake – ‘God’s Plan’
  • Shawn Mendes – ‘In My Blood’
  • Brandy Carlile – ‘The Joke’
  • Zedd & Maren Morris – ‘The Middle’
  • Lady Gaga & Bradley Cooper – ‘Shallow’

Best R&B Album

  • H.E.R. – H.E.R. 
  • Toni Braxton – Sex and Cigarettes |
  • Leon Bridges – Good Thing
  • Lalah Hathaway – Honestly
  • PJ Morton – Gumbo

Best New Artist

  • Dua Lipa 
  • Chloe x Halle
  • Luke Combs
  • Greta Van Fleet 
  • H.E.R.
  • Margo Price
  • Bebe Rexha
  • Jorja Smith

Best Pop Solo Performance

  • Lady Gaga – ‘Joanne (Where Do You Think You’re Goin’?)’ 
  • Beck – ‘Colors’
  • Camila Cabello – ‘Havana (Live)’
  • Ariana Grande – ‘God Is a Woman’
  • Post Malone – ‘Better Now’

Best Pop Duo/Group Performance

  • Lady Gaga and Bradley Cooper – ‘Shallow’ 
  • Christina Aguilera and Demi Lovato – ‘Fall In Line’
  • Backstreet Boys – ‘Don’t Go Breaking My Heart’
  • Maroon 5 and Cardi B – ‘Girls Like You’
  • Justin Timberlake and Chris Stapleton – ‘Say Something’
  • Zedd, Maren Morris, and Grey – ‘The Middle’ 

Best Pop Vocal Album

  • Ariana Grande – Sweetener 
  • Camila Cabello – Camila
  • Kelly Clarkson – Meaning of Life
  • Shawn Mendes – Shawn Mendes
  • Pink – Beautiful Trauma
  • Taylor Swift – Reputation

Best Traditional Pop Vocal Album

  • Willie Nelson – My Way 
  • Tony Bennett & Diana Krall – Love Is Here to Stay
  • Gregory Porter – Nat “King” Cole & Me
  • Seal – Standards (Deluxe)
  • Barbra Streisand – The Music… The Mem’ries… The Magic!

Best Rap Performance

  • Kendrick Lamar, Jay Rock, Future, & James Blake – ‘King’s Dead’ 
  • Cardi B – ‘Be Careful’
  • Drake – ‘Nice for What’
  • Anderson .Paak – ‘Bubblin’
  • Travis Scott, Drake, Big Hawk, & Swae Lee – ‘Sicko Mode’ 

Best Rap Song 

  • Drake – ‘God’s Plan’ 
  • Kendrick Lamar, Jay Rock, Future, & James Blake – ‘King’s Dead’
  • Eminem – ‘Lucky You’
  • Travis Scott, Drake, Big Hawk, & Swae Lee – ‘Sicko Mode’
  • Jay Rock ft. Kendrick Lamar – ‘Win’ 

Best Rap Album

  • Cardi B – Invasion of Privacy 
  • Mac Miller – Swimming
  • Nipsey Hussle – Victory Lap
  • Pusha-T – Daytona
  • Travis Scott – Astroworld

Best Reggae Album 

  • Sting & Shaggy – 44/876
  • Black Uhuru – As the World Turns 
  • Etana – Reggae Forever
  • Ziggy Marley – Rebellion Rises
  • Protoje – A Matter of Time
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