NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Headies announce 2015 nominees

30 Sep 2015 - 12:54

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The Headies, Nigeria’s most respected award show, has announced nominees for its 10th edition. Expected to hold in December and covering music released between July 2014 to June 2015, the Headies have come to cap the music season.

Wizkid has received seven nominations at the 2015 Headies

This edition sees the return of the usual suspects, with last year’s big winner Olamide topping the nominee list. The rapper, whose album Baddest Guy Ever Liveth won both the Album of the Year and Rap Album of the Year categories in 2014, has received eight nominations this year. They include Best Pop Single, Best Street-hop Artiste as well as Artiste of the Year, Song of the Year and Album of the Year.

Olamide also manages to get two nominations in the Best Collaboration category. Perhaps the most surprising inclusion is the rapper’s Best Producer nomination for ‘Bobo’, where he is joined by well-known producers Cobhams, Don Jazzy, Legendury Beats, Masterkraft and Shizzi.

Up next is Wizkid. The ‘Ojuelegba’ singer has seven nominations including Recording of the Year, Best Collaboration, Song of the Year and Album of the Year.

For his contributions to the industry, 2face Idibia, who turned 40 recently, is to be inducted into the Hall of Fame.

The much coveted Lyricist on the Roll category, won half dozen times consecutively by rapper Mode Nine, has Reminisce square up against former winner Vector and Ill Bliss. TR (formerly known as Terry tha Rapman who took a hiatus from the industry) makes up the list.

South African rappers and rivals AKA and Cassper Nyovest receive nominations in the African Artiste category.

Full list below:

BEST RECORDING OF THE YEAR

A non-voting category for the best single recording by an artiste or group in the year under review.

1. Ojuelegba – Wizkid
2. Eyo – Asa
3. Wish Me Well – Timi Dakolo
4. Bez – There’s A Fire
5. Cobhams – Do the right Thing

PRODUCER OF THE YEAR

An individual responsible for producing the most acclaimed song or album in the year under review.

1. Don Jazzy – Godwin (Korede Bello)
2. Mastakraft – Wiser (Flavour)
3. Young John – Bobo (Olamide)
4. Shizzi – Fans Mi (DavidO)
5. Legendury Beatz – Ojuelegba
6. Cobhams – There’s A Fire (Bez)

BEST MUSIC VIDEO

A voting category for the best conceptualist, best directed and most exciting video in the year under review. This award goes to the video director.

1. Jamb Question (Simi) – Mex
2. Crazy (Seyi Shay) – Meji Alabi
3. The Sound (DavidO Feat. Uhuru & Dj Buckz) – Sesan
4. Katapot (Reekado Banks) – UnLimited LA
5. Baby Jollof (Solid Star Feat. Tiwa Savage) – Clarence Peters

BEST R&B/POP ALBUM

A category for the best R&B/Pop Album in the year under review (by single individual or group).

1. Bed of Stone – Asa
2. A.Y.O. – Wizkid
3. King of Queens – Yemi Alade
4. Rich & Famous – Praiz
5. Double Trouble – Psquare

BEST R&B SINGLE

A category for the best R&B single in the year under review (by a single individual or group).

1. Heartbeat – Praiz
2. Baby Daddy – Iyanya
3. Say You Love Me – Leriq ft. Wizkid
4. Do the Right Thing – Cobhams Ft. Bez
5. Wish Me Well – Timi Dakolo

BEST POP SINGLE

A category for the best pop single in year under review (by single individual or group)

1. Ojuelegba – Wizkid
2. Collabo – P-Square Feat. Don Jazzy
3. My Woman, My Everything – Patoranking Feat. Wande Coal
4. Woju – Kiss Daniel
5. Godwin – Korede Bello
6. Bobo – Olamide

BEST REGGAE/DANCEHALL SINGLE

A category for the best Reggae/Dancehall single in the year under review (by single individual or group)

1. German Juice – Cynthia Morgan
2. Sanko – Timaya
3. My Body – Solid Star Feat. Timaya
4. Daniella Whyne – Patoranking
5. Cheques and Balance – Burna Boy
6. Bad Girl Special (Remix) – Mr. 2Kay feat. Cynthia Morgan & Seyi Shay

BEST RAP ALBUM

A Non-Voting Category for the Best Album By A Rap Artiste Or Group In Year Under Review.

1. Baba Hafusa – Reminisce
2. Street OT – Olamide
3. Chairman – M.I.
4. Above Ground Level – Modenine

BEST COLLABO

A voting category for the best R&B, Pop or Hip-hop collaborative track (including cameos).

1. Local Rapper – Reminisce Feat. Olamide & Phyno
2. Hold on – Joe El Feat. 2Face Idibia
3. Bad Girl Special (Remix) – Mr. 2Kay Feat. Cynthia Morgan & Seyi Shay
4. Shoki (Remix) – Lil’Kesh Feat. Olamide & David O
5. Do The right Thing – Cobhams ft. Bez
6. Sisi – Praiz ft. Wizkid

BEST RAP SINGLE

A voting category for a single (released on-air) recording of a rap.

1. King Kong – Vector
2. Bad Belle – M.I
3. Bank Alert – Ill Bliss
4. Local Rapper – Reminisce Feat. Olamide, Phyno & Stomrex
5. G.O.D – T.R

BEST VOCAL PERFORMANCE (MALE)

A non-voting category for the single male artiste with the most outstanding vocal performance on a single song or album.

1. Praiz – If I fall
2. Shaydee – High
3. Timi Dakolo – Wish Me Well
4. Cobhams – Do The Right Thing
5. Bez – There’s A Fire

BEST VOCAL PERFORMANCE (FEMALE)

A non-voting category for the single female artiste with most outstanding vocal performances on a single song or album.

1. Waje – Coco Baby
2. Aramide – Iwo Nikan
3. Asa – Bed of Stone
4. Simi – Tiff
5. Yemi Alade – Duro Timi

NEXT RATED

This category is a voting category for the most promising upcoming act in the year under review.

1. Reekado Bankz
2. Kiss Daniel
3. Cynthia Morgan
4. Korede Bello
5. Lil’ Kesh

HIP HOP WORLD REVELATION

A voting category for the best new artiste in the year under review.

1. Praiz – Rich n Famous
2. Yemi Alade – King of Queens
3. Skales – Man of the Year

LYRICIST ON THE ROLL

A non-voting category for the Rap Artiste with the best lyrical depth and performance on a single song or album.

1. Ill Bliss – Bank Alert (remix) Feat. Ice Prince, Eva Alordiah & Phyno
2. Vector – King Kong
3. Reminisce – Baba Hafusa
4. G.O.D – T.R

BEST STREET-HOP ARTISTE

A voting category for the artiste whose songs are inspired by the streets. Such song should captain lingua, which may also be originated by the artiste and popular on the street.

1. Reminisce – Skillashi
2. Olamide – Bobo
3. Small Doctor – Mosquito Killer
4. Mastakraft feat. Olamide, CDQ and David O – Indomie
5. Falz The Bad Guy Feat. Yemi Alade & Poe – Hello Bae

BEST ‘ALTERNATIVE’ SONG

A voting category for the artiste whose songs reflect any form or style of music which falls outside the mainstream of recent or past popular musical trends.

1. Di’Ja – Awwwwww
2. Bez – There’s A Fire
3. Asa – Satan Be Gone
4. Adekunle Gold – Sade
5. Ugovinna – Rain On Me
6. Simi – Tiff

ALBUM OF THE YEAR

A voting category for the best album (solo or group) in year under review, that meets judges requirements of excellence (Songwriting, production, rendition and promotion) and acceptability (Sales and popularity).

1. Rich n Famous – Praiz
2. King of Queens – Yemi Alade
3. Street OT – Olamide
4. Chairman – M.I.
5. A.Y.O. – Wizkid
6. Double Trouble – P Square

ARTISTE OF THE YEAR

Most critically and commercially adjudged artiste in the year under review. Overall most successful artiste for the year under review.

1. Olamide
2. David O
3. Wizkid
4. Yemi Alade
5. P-Square

SONG OF THE YEAR

A voting category for the most popular song in the year under review.

1. Ojuelegba – Wizkid
2. Godwin – Korede Bello
3. Kiss Daniel – Woju
4. Olamide – Bobo

AFRICAN ARTISTE

A non-Nigerian award category for an individual African artiste or group with the most outstanding achievement, impact and infiltration into the Nigerian music scene in the year under review.

1. Diamond Platnumz
2. Cassper Nyovest
3. Sarkodie
4. Uhuru
5. AKA

HALL OF FAME

Special recognition for excellence and outstanding impact to the entertainment industry.

2Face Idibia

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