NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Nikita Kering: Kenya’s rising teenage star

11 Jun 2018 - 12:25

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She burst onto the music scene during Kenya gospel powerhouse Emmy Kosgei's album launch back in December 2011. The event, which was aired live on national TV, showcased a young Nikita Kering performing alongside the main act, who went on to be her mentor.

Nikita Kering. Photo : Sanaa Post

Nikita’s adorable voice and lovable nature have made her the darling of many. She has presented awards at gala events at the age of 12, performed for Kenya’s deputy president and hosted TV and radio shows.

The 16 year old's musical pursuits earned her a partial scholarship at Brook House International School, a top learning institution that has further nurtured her skills. She was also the youngest performer at this year’s Women in Music concert series at Goethe-Institut in Nairobi. In addition, she is one of the few international students accepted at the American Musical and Drama Academy (AMDA) in Los Angeles for its 2018 summer programme.

Music In Africa spoke to the fast-rising starlet about her journey so far, how she manages to soar despite being so young, and what the future holds for her.

Having been in music and media since you were three years old, what are some of the challenges of growing up in the public eye?

It has been a very interesting experience throughout. I would say that the biggest challenge has been trying to meet your fans’ expectations while also being the artist/person you want to be. Along the way, you begin to realise that it's much more satisfying to do what makes you happy.

Singing with Emmy Kosgei brought you in the public eye. How has she inspired you as an artist and what are some of the most memorable performances you have done together?

Well, I got a glimpse of what goes on BTS [behind the scenes] of a famous artist, the struggles of working with a colossal crew, and generally bringing out the best in each performance. The most memorable performance with her would most definitely be my first performance at the Kids festival at Nyayo Stadium. There were more than 60 000 people there, it was extremely cold and we had to run because I was about to miss my performance. It was my first time to be stopped by many people for a photo.

Tell us about your tours, and the different countries you have performed in.

I performed in Nigeria at Emmy Kosgei’s wedding and at the Gotabgaa International Conference in Washington DC. I have made music and cultural tours to Cologne, Germany, and Pretoria, South Africa. I have also performed locally in various events including performing for Deputy President William Ruto and former vice-president Kalonzo Musyoka. I have been on the Churchill Show, been hosted by the Trend Live, Victoria’s Lounge, on Citizen’s and KTN’s Breakfast Show. I also did a one-hour cooking show on Ebru TV and was featured by K24 and Kass TV.

Where did you get the confidence to perform at such a young age? Do you get stage fright and how do you deal with it?

[Laughs] Well, I still have stage fright and it seems to be getting worse, as people’s expectations get higher the older I get. I don’t deal with stage fright, I just go up there, and I sing! The nerves reduce as you go on, and eventually go.

How did you get into the National Youth Choir?

I auditioned to join the choir and was among the selected few. I got to be trained by world-renowned conductor and choral ambassador Dominic Peckham. It was a great experience.

How have you balanced school and music?

Balancing has sometimes been tough, especially when important events coincide with school programmes. I am, however, fortunate to have very understanding teachers and parents who really help me plan. As a rule, we decided that all my events would only take place during school holidays. This has really helped.

Media has been a big part of your life as a radio and TV host. Do you plan to pursue it at some point?

If the opportunity comes I will take it, but I am planning on focusing mainly on music and acting.

You’ve always wanted to be a singing pilot. Is that still the plan?

[Laughs] I used to love flying as a kid, but sadly it has vanished, plus I realised you need to be good at physics, geography and maths, which aren’t in my plans. But I won’t mind owning a jet in the future.

As the youngest artist to be featured in the Women in Music Concert Series, how did you feel representing women and how did you get that gig?

I was very excited to be among the greats. The organisers called up my mum after watching some of my performances on social media and requested that I perform. It was such an honour.

How did you get in at AMDA and what does it mean for you?

I was encouraged to apply by my music coach. They requested for several music videos and I also did an oral interview. I was among the short-listed candidates. They have also paid part of the fee. Being in LA is a dream come true. I'm looking forward to joining some of the best talents in the world and benefit from the experienced coaches and tutors. I believe it will be life-changing.

You have achieved so much at such a tender age. What inspires you to stay so focused?

It's just the love of music. That’s all the motivation I need.

Many young people think their age and inexperience disqualifies them from achieving great things. What words of advice do you have for them?

Passion carries the day. You can never get tired of doing what you love. When people see how passionate you are about your art, they will support you. In all these, remember that God is the giver. Be humble.

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