NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Kenya: ONGEA! music summit goes virtual on 22 February

19 Feb 2021 - 10:01

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ONGEA! has announced the speakers and discussion topics for its upcoming virtual music summit from 22 to 24 February. Delegates can register for free here.

Martin Nielsen, Angela Ndambuki, Evelyn Sieber and Eddie Hatitye are among this year's participating music professionals.

The sixth edition of the trade event will run under the theme, Fast Forward Into the Future and address several industry issues. Among the topics that the organisers have lined up are So, We Were Disrupted! What Next? Taxation – a Blessing or a Curse? The New Normal? Royalties in Focus Where’s the Money? The Growth of Artivism in Africa, Access to Credit for Creatives, Global Opportunities for Eastern African Music, and No Shows?

ONGEA! founding director Mike Strano told Music In Africa that the event would aim to bring hope, purpose and structure to artists and industry professionals whose livelihoods have been impacted by the COVID-19 shutdown.

“Due to the potential health and financial risks of the pandemic, we had decided to cancel the 2021 Edition,” Strano said. “Fortunately, I was asked to speak in online versions of music markets last year, so I got some insights into the experiences available to delegates, as well as the technology involved.

“Going fully online has enabled us to reach a wider audience throughout Eastern Africa and the world, including international industry experts who are increasingly interested in the creativity emerging from the motherland, thus increasing the chance of collaborations and business.”

Confirmed speakers include singer Crystal Asige, music lecturer at Kenyatta University Duncan Wambugu, International Federation of the Phonographic Industry sub-Saharan regional director Angela Ndambuki, Trace Academia CEO Prejlin Naidoo, Mdundo CEO Martin Nielsen, Music Dish CEO Eric De Fontenay, Reeperbahn Festival showcase programme head Evelyn Sieber, and Society of Authors, Composers and Publishers of Music international development officer for Africa Akotchayé Okio.

Moderators include Music In Africa Foundation executive director Eddie Hatitye, Amnesty International Kenya programme manager Gregg Tendwa, Creative Enterprise Centre CEO David Muriithi and Mookh Africa director George Gachui.

Tendwa said The Growth of Artivism in Africa panel discussion would concentrate on questions about freedom and creativity and address the various conditions that lead great minds to take courageous action.

“We notice a surge in the use of art to challenge power across the continent,” he said. “In Uganda, Kenya, Tanzania, Sudan and beyond, artists are speaking truth to power, inspiring resistance movements, mobilising for protests and contesting for political power. The trend is growing bigger and bolder. This panel will discuss this surge and the state of freedom of expression, especially for artists at risk of persecution.”

Gachui said his panel would attempt to answer whether streaming can make money for artists, how artists can monetise social media, and the exchange between artists and brands in terms of endorsement deals.

“I am excited to be on a panel of international professionals who will shed some light and insight into where the money is in a world with no shows,” Gachui said.

There will also be showcases and a session with local and international delegates ­titled Be Present Everywhere, which will be facilitated by Robert Singerman, senior vice-president for international publishing at Global Music Partnership.

“Thanks to the ONGEA! team for bringing Be Present Everywhere Intros and Connections #9 to Africa for the first time,” Singerman said. “With a long, personal history and love of music and the music community from Africa, it is an honour, and we’re here to learn, network, give back and participate.”

Strano said the showcasing artists would be announced soon.

For more information and to register, visit the ONGEA! official website.

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