NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Call for applications: Goethe-Institut International Co-production Fund

10 Mar 2021 - 13:19

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The Goethe-Institut head office in Munich, Germany, is calling on artists, ensembles and institutional partners in the fields of music, theatre, dance and performance art to submit joint applications with German counterparts for its International Co-production Fund.

Goethe-Institut president Carola Lentz.

The fund is targeted at professional artists and ensembles abroad and in Germany, who are planning a joint project and demonstrably lack sufficient resources to realise their co-production without assistance. The International Co-production Fund promotes projects of a high artistic calibre and considerable public impact.

The results of the collaborative efforts are to be presented in a professional setting abroad, if possible also in Germany. The funding cannot offer full financing, that is why an application should include a feasible financial plan which, in addition to third-party funding, should show the substantial contributions of all the project partners involved. The amount of funding requested should be between €10 000 and €25 000 (about $30 000). Creatives, ensembles and cultural institutions from all African countries can apply, especially those from transition countries as: Benin, Burkina Faso, Cape Verde, Ivory Coast, Gambia, Ghana, Guinea-Bissau, Liberia, Mali, Mauritania, Niger, Nigeria, Senegal, Sierra Leone, Togo, Botswana, eSwatini, Lesotho, Namibia and South Africa, among others. For the full list of other eligible African countries, click here.

Criteria

  • The projects submitted should embrace only the performing arts (no outright film or exhibition projects).
  • Expected artistic quality of the project.
  • Relevance of the participating artists in their respective scenes.
  • Budget indicating project partners’ own contributions/third party funds and a solid financial plan.
  • A balanced project partnership based on the artistic collaboration, not dominated by one partner.
  • Realisation of at least one performance outside Germany, if possible also one in Germany.
  • Projects between German and non-European partners, especially from transition countries, will be preferred (applications from Austria and Switzerland will not be considered).
  • Applications for guest performance funding are not valid.

Applications for the International Co-production Fund are made by electronic means using an online form. The blank application form here will give applicants an overview of the structure of the form. Interested applicants can find the application form, as well as all relevant information at www.goethe.de/ikf. The application form is only available and should be submitted in English.

The initial deadline of 15 April has been postponed and will be announced soon.

Explanatory notice regarding the application:

  • The whole application process will take place online. Only fully completed applications will be processed.
  • Only artists who do not live and work primarily in Germany may submit an application. The Goethe-Institut abroad can assist applicants, if needed, in translating the application.
  • Projects that started before applying cannot be funded. If financial liabilities have been incurred before the support has been approved, applicants should request the so-called “early start of the measure” formally with the submission of the documents. The granting of the “early start of the measure” is neither a declaration of intent to fund nor confirmation of approval. Any bookings or signing of contracts in the context of an “early start of the measure” are concluded at the applicant’s own risk.
  • Only projects that have been newly developed jointly between the co-producers can be funded by the International Co-production Fund.
  • A co-production grant can be awarded even if the applicants received a grant or other funding from the Goethe-Institut the year before. The grant is awarded to help fund a specific artistic project, one that is in line with the principles of the International Co-production Fund. A grant does not form the basis for any claim to funding for other projects.

For more information regarding application, read here.

Required documents

  • Applicants should present their projects in the project description (max of two pages long). Describe the nature and scale of the production and discuss the artistic idea, aims and objectives, and how they intend to achieve them by collaborating with their co-production partners.
  • Applicants should present a production plan in the schedule, including a development and rehearsal stage, premiere date(s) and any planned guest appearances.
  • A profile describing the ensemble/artists.
  • A list of all participants indicating each person’s function in the project and the place where they live.
  • In a conclusive and itemised overall financial budget, applicants should specify all income and expenses in connection with the production. All amounts are to be stated in euros.
  • Two travel expense estimates drawn up by a travel agency or by an online travel provider.

“With the International Co-production Fund, the Goethe-Institut would like to support the unrestricted international and intercultural exchange of artists and their ideas,” Goethe-Institut said. “The facilitation of such an exchange and the networking it spawns among the various players are equally as important as the productions resulting from the project.

“The project partners have the task of doing active, broad-based, public-relations work, in which the support from the Goethe-Institut's International Co-production Fund should always be mentioned. Both partners should pay close attention to documenting the progress of the project with photos, videos, press reports and other modes of display, in order to facilitate a presentation of the project on the website of the International Co-production Fund.”

View the original call here.

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