NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Top Kenyan songs of 2021

31 Aug 2021 - 11:34

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The Kenyan music recording industry continues to progress quickly, even during this pandemic period, and the most adaptable artists are the ones who have found the most success. 

Nikita Kering, Nviiri The Storyteller, Nadia Mukami and Bensoul.

This year, new stars were born, Tiktok helped make hits. There were more pan-African collaborations and certainly more experimentation. In no particular order, we look at the most notable songs that have come out from the country so far this year, featuring Bensoul, Nviiri the Storyteller, Sauti Sol, Nikita Kering, Otile Brown, Okello Max and more. We will update this playlist regularly, so make sure you bookmark it for your constant listening pleasure.

My Jaber by H_art the Band ft. Brizy Annechild

‘My Jaber’ is off the trio’s latest album Simple Man. The track, which was co-written by Kasee Global Sound and Brizy Annechild, celebrates women from the Nyanza region who are known for their physical attributes. The video was directed by Skoko and Ivan Odie and features several celebrities dancing and singing.

Ex by Nikita Kering

'Ex' talks about the troubled relationship between a couple struggling to be together due to one of them not being ready to commit to the relationship. This single is off Nikita Kering's debut EP, A Side Of Me, which was released in June 2021.

In Love – Otile Brown ft. Alikiba (Kenya/Tanzania)

Crowned Kenya’s love doctor due to his love-themed compositions, Otile Brown features Tanzania’s Alikiba on this hit. The two artists are mesmerised by their lovers’ beauty and struggle to find the right words to describe how precious they are.

Rhumba by Wanavokali

‘Rhumba’ is the first track off the award-winning acapella group’s upcoming self-titled album. Rhumba tells the story of two passion-fuelled strangers dancing the night away. The feel-good song is set against the backdrop of smooth, silky vocals and laced with modern trap beats.

Luku by Khaligraph Jones ft. The Industry

A master rhymer, the award-winning rapper Khaligraph Jones made it fashionable to be lyrical, with incredibly dense bars and an unerring delivery. In ‘Luku’ he features some of the new and rising artists in the hip hop scene.

Medicine by Bensoul

Falling in love is one of the most beautiful feelings in the world. Medicine is the perfect soundtrack to those moments when one catches him or herself daydreaming about a shared future with a significant other. Signed under the Sol Generation record label, Bensoul has kept his releases precious but powerful, gracefully confirming himself as one of the most compelling artists of the now. Bensoul’s songwriting credits include Burna Boy’s album Twice As Tall alongside Sauti Sol. The LP was named the Best Global Music album at the 63rd annual Grammy Awards in March.

Baby Go by Otile Brown ft. Kizz Daniel

Otile Brown makes a superb collaboration with the talented Nigerian singer Kizz Daniel to release ‘Baby Go’. This track is Otile Brown’s second record featuring a Nigerian artist after ‘Jamila’ featuring Reekado Banks in 2020.

Rhumba Japani by Sauti Sol ft. Bensoul, Nviiri the Storyteller, Xenia Manasseh, Okello Max and NHP

‘Rhumba Japani’ is influenced by Congolese rumba and is a testament that Sauti Sol is still in love with the music they grew up with. Nostalgia is a powerful force.

Balance by Femi One

‘Balance’ has endless lines worthy of a laugh, highlighting the kind of quick wit and humour that earned Femi One the spotlight in the first place. This single is off the rapper’s debut album Greatness, which was released in June.

‘Kitenge’ by Nviiri The Storyteller

‘Kitenge’ paints a vivid picture of the thoughts, feelings, and baggage that comes with choosing to share your life with someone. The musician lives up to his moniker, The Storyteller. The track explores the realities of being in a relationship, the societal pressures and other nitty gritty’s of love that people don’t often share when discussing what it means to love another person.

Chini Chini by Matata ft. Mejja

‘Chini Chini’ is a party song, and given its thumping beats are an invitation to hit the dance floor.

Nakufa by Okello Max, Bensoul and Amlyoto

Okello Max’s brand of emotive singing is warm, fuzzy, and instantly addictive. He is emerging as one of the most exciting new faces in the constantly changing music landscape due to his self-assured personality and sharp songwriting.

Wavy – Khaligraph Jones ft. Sarkodie (Kenya/Ghana)

Khaligraph Jones has been a growing force in Kenyan hip hop for about a decade. This collaboration with one of the continent’s most revered rappers, Ghana’s Sarkodie, places him at the centre of East Africa’s hip hop scene.

Nairobi – Bensoul ft. Sauti Sol, Nviiri the Storyteller and Mejja

Bensoul has already cemented his status as one of Kenya’s top newcomers. On ‘Nairobi’ he recruited well-known acts, including popular band Sauti Sol, who contributed star power towards the track’s success. If he keeps making addictive hits throughout the year, he will have to adapt to life as a superstar.

Kolo – Nadia Mukami ft. Otile Brown (Kenya)

After a month of teasing a possible collaboration, Nadia Mukami and Otile Brown finally delivered ‘Kolo’. The two display their strong songwriting on this track, which fans have taken note of since their emergence. One wonders why they didn’t link up earlier.

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