NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Kenyan choral group joins World of Hans Zimmer Europe tour

09 Apr 2024 - 15:19

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The Nairobi Chamber Chorus is part of a group of acclaimed international artists currently engaged in a European concert series showcasing the works of German film-score composer and music producer Hans Zimmer.

Nairobi Chorus Chamber performing with The World of Hans Zimmer – A New Dimension production in Manchester, UK, on 7 April. Photo: Facebook

Described as the ‘Hollywood Rebel’, Zimmer’s melodies and compositions have featured in international blockbusters including Dune, James Bond – No Time to Die, The Lion King, Gladiator, Pirates of the Caribbean, The Dark Knight trilogy, Interstellar, The Last Samurai and Top Gun: Maverick, among many others. He has won two Oscars and four Grammys and was named on the list of the Top 100 Living Geniuses, published by The Daily Telegraph in 2007.

Titled The World of Hans Zimmer – A New Dimension, the concert series began in Prague, Czech Republic, on 8 March and will travel to 56 European cities before concluding in Lisbon, Portugal, on 9 December. It seeks to immerse audiences in Zimmer’s works. The Nairobi Chamber Chorus is expected to perform in 13 cities.

Speaking to Kenyan journalist Bill Odidi about being on the tour, Nairobi Chamber Chorus director Ken Wakia said the ensemble was “extremely lucky and honoured to be a part of it.”

Wakia said the group was invited to perform after a tour organiser heard about the group through an invitation to perform at a music festival in Germany.

“We accepted and we sent an audition piece,” Wakia said. “After a couple of weeks, they got back to us saying the artistic committee was pleased with the group, and here we are now travelling across Europe in sold-out arenas of between 10 000 and 15 000 seats every show. Honestly, it still feels like a dream.”

Wakia added: “I think the addition of our African dance movements during performance has been a wonderful addition to the show, without which it would have felt like there was just that one little thing still missing. My aspiration with this new show is to preserve the culture of the orchestra and allow audiences to rediscover the unique facets of orchestral music.”

Artists on the tour include conductor and long-time Zimmer collaborator Gavin Greenaway (UK), singer and composer Lisa Gerrard (Australia), producer and composer Lebohang ‘Lebo M’ Morake (South Africa), best known for arranging and performing music for The Lion King movies and stage productions, and vocalist Nokukhanya Dlamini (South Africa).

Wakia said: “Google those names and tell [me] whether you won’t get goosebumps if you were sharing the stage with them. We are performing with soloists from around the world, but when we are onstage, we are one family.

Zimmer himself will not appear live during the tour, as he has done in previous productions of his music, but will function as the show’s curator and musical director.

“My aspiration with this new show is to preserve the culture of the orchestra and allow audiences to rediscover the unique facets of orchestral music,” Zimmer said. “There are many background stories I would love to tell and long-time companions and friends I would like to introduce.”

The concert tour’s precursor, The World of Hans Zimmer – A Symphonic Celebration, was first staged in Germany in 2018.

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