NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

YouTube Music surpasses 125 million paid subscribers, expands Premium Lite offering

06 Mar 2025 - 07:00

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YouTube Music has reached a significant milestone, surpassing 125 million paid subscribers worldwide, including trial users. The announcement was made by YouTube’s global head of music, Lyor Cohen, in a letter to the music industry on 5 March, celebrating the platform’s subscriber growth and its 20th anniversary.

YouTube global head of music Lyor Cohen.

The new figures indicate that YouTube has added over 25 million subscribers in the past 12 months, an average of slightly more than 2 million per month, since its last reported figure of 100 million in February 2024.

Comparison with Spotify

With this growth, YouTube Music continues to position itself as a key competitor in the music streaming industry. However, its subscriber base remains significantly smaller than that of Spotify, the world’s largest subscription music streaming platform.

Spotify reported an increase of 27 million net paying subscribers in the 12 months leading up to December 2024, bringing its total to 263 million paid users.

In his letter, Cohen described the milestone as an “incredible achievement that many dismissed as impossible when we first launched.” He reiterated YouTube’s commitment to becoming the music industry’s leading revenue contributor, writing, “we won’t stop until we get there.”

He also emphasised YouTube’s continued investment in visual storytelling and artificial intelligence, predicting a resurgence of the music video format.

“As I look forward, I’m foreseeing a renaissance of the music video. It’s not about having the biggest production budget; it’s about sharing authentic hero content that music fans can’t unsee,” he wrote.

Expansion of Premium Lite

Cohen also highlighted YouTube’s efforts to drive subscription growth by expanding its Premium Lite pilot to users in the US.

Premium Lite is a lower-cost subscription tier that allows users to watch most videos ad-free, although ads remain on music content, Shorts, and during searches. The service is priced at $7.99 per month, compared to the full YouTube Premium subscription, which costs $13.99 per month for an individual plan in the US. A standalone YouTube Music Premium plan is priced at $10.99 per month.

Cohen said early data from the Premium Lite pilot indicated that “more Lite members upgraded to YouTube Premium than Premium members downgraded to Premium Lite,” suggesting a positive impact on overall subscription growth.

AI integration and future prospects

YouTube is also focusing on integrating artificial intelligence to enhance content creation. Cohen mentioned the platform’s investment in AI tools, including Dream Screen, a feature that allows Shorts users to generate AI-powered video backgrounds using text prompts. This tool is now powered by Veo 2, Google DeepMind’s latest generative video model.

“With this new integration, artists and fans can create standalone video clips for their Shorts, broadening the horizons to tell visual stories with music,” Cohen said.

He also cited Nielsen rankings, which indicate that YouTube has been the number one streaming platform in the US in terms of watch time for two consecutive years. Over one billion hours of content are viewed daily on television screens in the US alone.

Live streaming growth and the future of YouTube Music

Cohen noted that more than 50% of YouTube’s live stream viewership of Coachella 2024 came from connected TVs. He suggested that the trend of artists delivering premium content directly to large screens—whether through music videos or live performances—will continue to grow.

Looking ahead, Cohen expressed confidence in YouTube’s future: “I know there’s uncertainty in the world and in our industry, but in my nine years at YouTube and 40 years in the business, I’ve learned that uncertainty and challenges signal great opportunity. I cannot wait to see what the next 20 years of YouTube holds.”

YouTube’s continued growth in music subscriptions, alongside its advancements in AI and live streaming, underscores its evolving role within the music industry. As competition with Spotify and other streaming services intensifies, YouTube’s strategic focus on video content, AI-driven innovation, and flexible subscription offerings may further strengthen its position in the market.

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