NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

African artists earn spotlight in 2026 Grammy nominations

10 Nov 2025 - 15:58

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The Recording Academy has announced the nominees for the 2026 GRAMMY Awards, highlighting a strong representation of African musicians across several key categories. The ceremony is set to take place at the Crypto.com Arena in Los Angeles, on 1 February 2026 and will be broadcast globally on CBS and streamed on Paramount+.

Burna Boy leads the pack with two nominations for Best African Music Performance and Best Global Music Album. Photo: majamoan

In the Best African Music Performance category, Nigerian artists lead the field with Burna Boy’s ‘Love’ joined by Davido and Omah Lay’s ‘With You’, and Ayra Starr and Wizkid’s ‘Gimme Dat’. Uganda’s Eddy Kenzo and Mehran Matin earn recognition for ‘Hope & Love’, while South Africa’s Tyla completes the line-up with ‘Push 2 Start’.

Beninese legend Angélique Kidjo earns a nomination for Best Global Music Performance with ‘Jerusalema’, continuing her long-standing presence at the GRAMMYs. Burna Boy, who has been a consistent contender in recent years, receives another nod in the Best Global Music Album category for No Sign of Weakness, marking his 11th career nomination. He is joined by Senegalese icon Youssou N’Dour, whose album Éclairer le monde (Light the World) has also been recognised for its global impact.

Nigerian-American artist Shaboozey bridges genres with two nominations in the country categories. His song ‘Good News’ is up for Best Country Solo Performance, while ‘Amen’, featuring Jelly Roll, is nominated for Best Country Duo/Group Performance.

This year’s nominations underscore the expanding influence of African and African-rooted sounds on the global stage, as artists from the continent and its diaspora continue to shape the direction of contemporary popular music.

Best African Music Performance

  • ‘Love’ — Burna Boy
  • ‘With You’ — Davido Featuring Omah Lay
  • ‘Hope & Love’ — Eddy Kenzo & Mehran Matin
  • ‘Gimme Dat’ — Ayra Starr Featuring Wizkid
  • ‘Push 2 Start’ — Tyla

Best Global Music Album

  • Sounds Of Kumbha — Siddhant Bhatia
  • No Sign of Weakness — Burna Boy
  • Éclairer le monde – Light the World — Youssou N’Dour
  • Mind Explosion (50th Anniversary Tour Live) — Shakti
  • Chapter III: We Return to Light — Anoushka Shankar Featuring Alam Khan & Sarathy Korwar
  • Caetano e Bethânia Ao Vivo — Caetano Veloso and Maria Bethânia

Best Global Music Performance

  • ‘JERUSALEMA’ — Angélique Kidjo
  • ‘EoO’ — Bad Bunny
  • ‘Cantando en el Camino’ — Ciro Hurtado
  • ‘Inmigrante Y Que?’ — Yeisy Rojas
  • ‘Shrini’s Dream (Live)’ — Shakti
  • ‘Daybreak’ — Anoushka Shankar Featuring Alam Khan & Sarathy Korwar

Best Country Solo Performance

  • Tyler Childers
  • Shaboozey
  • Chris Stapleton
  • Zach Top
  • Lainey Wilson

Best Global Music Album

  • Eclairer le monde - Light the World – Youssou N'Dour
  • No Sign of Weakness – Burna Boy
  • Sounds Of Kumbha – Siddhant Bhatia
  • Mind Explosion [50th Anniversary Tour Live] – Shakti
  • Chapter III: We Return To Light – Anoushka Shankar Featuring Alam Khan & Sarathy Korwar
  • Caetano e Bethânia Ao Vivo – Caetano Veloso And Maria Bethânia

Record of the Year

  • ‘DtMF’ – Bad Bunny
  • ‘Manchild’ – Sabrina Carpenter
  • ‘Anxiety’ – Doechii
  • ‘Wildflower’ – Billie Eilish
  • ‘Abracadabra’ – Lady Gaga
  • ‘Luther’ – Kendrick Lamar With SZA
  • ‘The Subway’ – Chappell Roan
  • ‘APT.’ – Rosé, Bruno Mars

Album of the Year

  • Debí Tirar Más Fotos – Bad Bunny
  • Swag – Justin Bieber
  • Man’s Best Friend – Sabrina Carpenter
  • Let God Sort Em Out – Clipse, Pusha T & Malice
  • Mayhem – Lady Gaga
  • GNX – Kendrick Lamar
  • Mutt – Leon Thomas
  • Chromakopia – Tyler, the Creator

Song of the Year

  • ‘Abracadabra’ – Lady Gaga, Henry Walter & Andrew Watt, songwriters (Lady Gaga)
  • ‘Anxiety’ – Jaylah Hickmon, songwriter (Doechii)
  • ‘APT.’ – Amy Allen, Christopher Brody Brown, Rogét Chahayed, Omer Fedi, Philip Lawrence, Bruno Mars, Chae Young Park, Theron Thomas & Henry Walter, songwriters (Rosé, Bruno Mars)
  • ‘DtMF’ – Marco Daniel Borrero, Scott Dittrich, Benjamin Falik, Benito Antonio Martínez Ocasio, Hugo René Sención Sanabria, Tyler Thomas Spry & Roberto José Rosado Torres, songwriters (Bad Bunny)
  • ‘Golden [From “KPop Demon Hunters”]’ – EJAE & Mark Sonnenblick, songwriters (HUNTR/X: EJAE, Audrey Nuna, Rei Ami)
  • ‘Luther’ – Jack Antonoff, Roshwita Larisha Bacha, Matthew Bernard, Scott Bridgeway, Sam Dew, Ink, Kendrick Lamar, Solána Rowe, Mark Anthony Spears & Kamasi Washington, songwriters (Kendrick Lamar With SZA)
  • ‘Manchild’ – Amy Allen, Jack Antonoff & Sabrina Carpenter, songwriters (Sabrina Carpenter)
  • ‘Wildflower’ – Billie Eilish O’Connell & Finneas O’Connell, songwriters (Billie Eilish)

Best New Artist

  • Olivia Dean
  • Katseye
  • The Marias
  • Addison Rae
  • Sombr
  • Leon Thomas
  • Alex Warren
  • Lola Young

Producer of the Year, Non-Classical

  • Dan Auerbach
  • Cirkut
  • Dijon
  • Blake Mills
  • Sounwave

Songwriter of the Year, Non-Classical

  • Amy Allen
  • Edgar Barrera
  • Jessie Jo Dillon
  • Tobias Jesso Jr.
  • Laura Veltz

Best Pop Solo Performance

  • ‘Daisies’ — Justin Bieber
  • ‘Manchild’ — Sabrina Carpenter
  • ‘Disease’ — Lady Gaga
  • ‘The Subway’ — Chappell Roan
  • ‘Messy’ — Lola Young

Best Pop Duo/Group Performance

  • ‘Defying Gravity’ – Cynthia Erivo & Ariana Grande
  • ‘Golden [From “KPop Demon Hunters”]’ – HUNTR/X: EJAE, Audrey Nuna, Rei Ami
  • ‘Gabriela’ – Katseye
  • ‘APT.’ – Rosé, Bruno Mars
  • ‘30 for 30’ – SZA With Kendrick Lamar

View the full list of nominees here.

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